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Jannat’s Lucent Dreaming – a new Cardiff-based creative writing magazine

In today’s profile, we meet Jannat Ahmed, founder and editor-in-chief of Lucent Dreaming – a new creative writing magazine coming straight out of Cardiff!

I’m Jannat, founder and editor-in-chief at Lucent Dreaming. The LD team and I have officially just launched our debut issue from Rabble Studio. I’m a 22-year-old MA English Literature graduate from Cardiff University, born and bred in South Wales and ever since I could read, I’ve wanted to write. Enid Blyton, Roald Dahl and J.K. Rowling have been the cornerstones of my imaginative life since I started school and they continue to inform what I do today. I dabbled, about 11-ish years ago when I was in my final year of primary school with a little thing called J Club. It was a club I made up where I asked for the email addresses of anyone who visited our house and sent them a ‘magazine’, i.e. a word document that comprised exclusively of wordart, clipart and rhyming poetry about flowers written by me.

At 10 or 11 years of age I had a club that sent a magazine every month (for only about two months), that also sold stationery I’d bought from Woolworths, and even had its own paperclip collection bought by my dad. Looking back, I think I was ridiculous but onto something. Just over a decade later and it seems I’m kind of doing the same thing but better (I hope!)

Lucent Dreaming is my childhood dream come true: it’s a new independent creative writing magazine publishing beautiful, strange and surreal short stories, poetry and artwork from emerging authors and artists worldwide. Our first issue even has poetry about flowers! This is the story of how it started.

It was during my MA, this time last year, that I happened to be working on a parody creative writing magazine for one of my modules. After having too much fun making parody adverts for Cardiff University’s new revolving doors and Arriva Trains Wales’ delayed transport, I thought it would be a great idea to make a real creative writing magazine. I was talking to my friend Jess—now also one of Lucent Dreaming’s editors—about her experience of trying to get a job in publishing. She told me she’d exhausted her savings going to publishing internships and still didn’t have enough experience to get a job. It was then I asked if she’d be willing to donate her time to my as-yet-unnamed ‘real’ creative writing magazine and she said yes! Jo and Jonas—my two other editors—also, surprisingly, said yes. And so it began.

The idea was put on hold over the summer while I was working on my dissertation but come September it was back on. We had a name and a logo and we launched our website for submissions on Halloween last year. We planned on being an online-only creative writing magazine but that soon changed.

In November last year I applied for the pilot Ymlaen placement and got it! The placement is for six months and gives me desk space and business mentoring at Rabble Studio as a collaboration between Creative Cardiff, Cardiff University’s Enterprise and Start-up Team and Rabble Studio. Since January I’ve been working from Rabble, a coworking space for freelancers, small businesses and remote workers, and it’s been fantastic. I’ve been around freelance writers and designers and a bunch of other wonderful humans who have set up businesses before, worked with printers before and know what it’s like to work in creative industries. Everyone is so friendly, helpful and incredible at what they do; it’s been invaluable to me to be around them.

Working at Rabble has morphed Lucent Dreaming from an online-only to an also-print magazine. Last Saturday saw the launch of our debut issue and we’re so proud of how far it has come in such a short space of time. We sold half our magazine print run as well as our hand-designed notebooks and we can’t wait for issue 2! (We’re currently accepting short story and poetry submissions by the way!)

As far as the future is concerned, we hope to continue LD in print. Our aim is to encourage creativity and to help writers reach publication. However, we’re not just a publisher, we see ourselves as a springboard. We offer feedback on all qualifying submissions so that writers aren’t left in the dark about why their work might be rejected. We give our writers feedback so they have constructive ways to improve for their next submission. And, for everyday creatives, writers and doodlers, we’ve also set up a notebook subscription because we know that creativity rarely concludes with publication in day-to-day life (and it’s the other half of my childhood dream to sell stationery!). Whether or not you’re interested in publishing your work, we want to encourage you to be creative. A haiku, a doodle, a list of important memories—they are all produced from a feeling that cannot always be pinned down, but it’s that beautiful, strange, surreal feeling that we want to inspire both through our magazine and everything else we may create in the future. I hope we never lose sight of that dream!

Visit the Lucent Dreaming site – they’re currently open for submissions and preorders of Issue 2.

Jannat Ahmed is a recent English Literature graduate and expert project-starter. She enjoys anything she is capable of envying and secretly compares LD to Lovegood’s The Quibbler with confessedly more fiction. She is editor-in-chief at Lucent Dreaming.

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Record Store Day 2018 in Cardiff – events and happenings!

How is it already time for Record Store Day again?? If you’re looking to go join the queues or catch some of your favourite musical heroes in town, we’ve got the skinny on all the events – from Lauren Laverne broadcasting her BBC 6Music show, to Gruff Rhys and Charlotte Church djing! Don’t forget to check the full list of RSD 2018 releases

Get out and about and support your local independent music scene, this Saturday 21 April, 2018!

Record Store Day 2018 at Spillers Records

9am – 6pm, Spillers Records, Morgan Arcade

The annual celebration of independent record shops and all things vinyl is happening on Saturday the 21st of April – and alongside the armfuls of exclusive releases, Spillers  will be hosting their usual range of DJs and live music to keep you entertained throughout the day – and this year, they’ve got SPECIAL GUEST Lauren Laverne broadcasting her BBC 6 Music show from the store! She’ll be joined by guests Gwenno and Gruff Rhys.

And Lauren’s excited about her visit to Cardiff! She says: “I love taking my show on the road for Record Store Day, but to be going to Spillers in Cardiff – the world’s oldest record store – this year is something really special. We’ll be chatting to the team there and will be joined by Gwenno and Gruff Rhys, with music from Haley. It’s going to be a fantastic show and I’m so looking forward to be heading to Wales’ capital city!”

A Record Store Party That’s Not A Record Store Party

9am – 6pm at RIP Outpost, in the Castle Emporium (Womanby Street)

Come and join us at The Castle Emporium for a right old knees up to celebrate all things vinyl! Come join the Official-Unofficial Record Store Day 2018 All-Dayer, where there will be :

  • *BRUNCH SPECIAL
  • *RIVAL BREWERY BOTTLE BAR
  • *BANGIN TUNES FROM CRUSH DJS / DRUNK YOGA / ROTARY CLUB / BAN LAB
  • *DEALS DEALS DEALS
  • *PRIZES PRIZES PRIZES
  • *HAIRY BABES + SLIMEY HUNKS
  • *PUPPY PARTY PETTING ZOO
  • *DISCOUNT CROC SHOP
  • *POSI PARTY VIBES
  • *THE SUPER LIMITED UNOFFICIAL RSD LIST

NO DIVING IN THE SHALLOW END!

Record Store Day at Kellys Records

9am- 6pm, Kellys Records in Cardiff Indoor Market

A Cardiff institution, Kellys has all your second-hand music needs – and a great line up of DJs on the day!

DJs on rotation at Kellys through the day:

  • 9-11am – Kellys staff
  • 11-12pm – Sarah Sweeney
  • 12-1pm – Don Leisure
  • 1-2pm – Gruff Rhys
  • 2-3pm – Ani Glass
  • 3-4pm – Charlotte Church & Esther
  • 4-5pm – Boy Azooga

Record Store Day After Party hosted by Vinyl Cruisers and Spillers Records

6-11pm, The Andrew Buchan Bar, Albany Road

Vinyl Cruisers and Spillers Records present The Record Store Day After Party! Besides the normal crew there will be Spillers regulars manning the decks. Expect some exclusive tunes for your delight!

If you’re out and about over Record Store Day 2018 be sure to tag us in your pics and we’ll reshare the best! Enjoy! #shoplocal #independentcardiff.

Also shout out to woke Record Store Day sponsor, Friels Cider! Supporting independent music! Give them a big up and tag em in, #FrielsRSD.

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Cardiff haze pop trio XYandO announce Big Top residency!

To support the release of their new single ‘Shades of You’ on May 4 – and in celebration of surpassing 32 MILLION STREAMS on Spotify alone – Cardiff haze poppers XY&O have announced a spring residency of live shows at The Big Top!

Entry to all shows is FREE, and each gig features support from different artists (including Safari Gold, Jack Ellis, Sønder Choir and rising stars Hvnter and The Dead Method).

WATCH: XY&O – Low Tide

XY&O’s Big Top residency shows are:

  • April 19th: XY&O + Safari Gold
  • May 4th: XY&O + Jack Ellis + Blue Honey DJ Set [single launch show]
  • May 17th: XY&O + Sønder Choir [semi acoustic show]
  • June 1st: XY&O + Hvnter + The Dead Method [presented in association with the Forte&Project]

We caught up Skip, Nick and Tudor for a mini interview before their residency kicks off!

Q. Where and how did the band form? Introduce all the members and maybe tell us a bit about your musical influences

Skip. We met in Cardiff, I was at University there. Me and Tudor crossed paths down at a little studio in Cardiff Bay and almost immediately decided that we should write some songs together. Our tastes are styles when it came to writing where similar, but also different enough so that we could spin off each other. He yinged, I yanged.

I knew Nick because I was recording and producing some tracks for a band he was in at the time, he was only about 16/17 and had an amazingly original style of playing guitar and writing even then. I thought it would be interesting to rope him in and see how his musicality fitted with the songs me and Tude had started.

My musical tastes are pretty broad. I can usually find something I like about a track or genre. Some of my biggest influences would be artists like Prince, John Martyn The Cure, Sting, stuff my Dad was listening too as I grew up. When I hit early teens and started finding my own music, then it was all about Jimmy Eat World, Alkaline Trio and Blink 182 for a couple of years. I like heavy music, soft music and everything in between. Atreyu to Arianna Grande.

Nick. My influences constantly change, at the minute I’m listening to a lot of electronic soul type stuff as well as artists such as Mt. Joy and Jordan Mackampa.

Tudor. My musical influences are pretty broad and always changing. I love haunting and spacey music like Daughter, RY X and Sigur Ros. I’m also a massive Coldplay fan (saw them in Cardiff for the first time not so long ago and it only confirmed my obsession). I’m currently listening to a lot of traditional Colombian music (probably due to watching all of Narcos on Netflix in three days).

Q. Where are you all from originally? How did you end up in Cardiff?

Skip. I’m originally from the valleys, a little town called Abercarn. I came to Cardiff University though so lived in the city for 3/4 years at that time.

Tudor is from Barry and Nick from Whitchurch so they’re both Cardiff boys.

Q. What are your musical memories from being younger? What made you all decide to get into making music?

Skip. Most of my musical memories just revolve around listening to it. I sang in school and stuff like that but the most vivid memories for the first times I heard certain artists. I remember listening to REM, Led Zeppelin and Sting CDs in the car with my parents. I remember the first time I heard Youth & Young Manhood by Kings of Leon and amazing records like that. I used to sing and make up songs as a kid, and I guess I just never really stopped…

Tudor. Family BBQs that went late into the night with Bob Marley albums being played back to back. I’ve always been obsessed with how music makes people feel and I suppose I wanted to be a part of that process.

Nick. Listening to Jimi Hendrix in my dad’s car was a big one, I remember being pretty mind blown that those kinds of sounds existed (especially the solos in All Along the Watchtower). I think it’s that curiosity that got me into music

Q. What are your favourite music- related spots around Cardiff – venues / shops etc?

Tudor. We’re big fans of The Full Moon, Clwb Ifor Bach, Womanby Street as a whole really. Gwdihw is a pretty cool place and The Big Top of course. That’s a great venue for intimate gigs.

We’re also looking for a New York Deli sponsorship so will give them a shout out too!

Skip. Also, Bomber’s Deli…un-related to music, but if you’re in Cardiff and it’s lunch time then you need to check that place out.

Q. Tell us about the Ten Feet Tall/Big Top residency

It’s going to be a chance for us to experiment with all of our new lights, equipment and music. Our live show has evolved massively and we’re keen to show it to people in an intimate setting. We’re using the gigs to try out new songs, experiment with arrangements and just generally play some fun local shows because we haven’t really played in the city that much. We’ve made all the gigs free entry because we’d rather people just come and enjoy, critique or just listen to our new music

Q. What’s been the best gig you’ve played to date?

We actually played at Glastonbury 2016 on the BBC Introducing Stage. It was obviously pretty amazing so that always ranks highly. It was only out 10th gig as a band so very strange and looking back on it, it almost feels like a different band. Our live set up then was very different to what it is now. We played an amazing gig at The Phoenix in Exeter in the run-up to Glastonbury. It was a BBC show at a big sold out theater and the crowd were amazingly receptive to us.

Q. What are your plans and hopes for the future?

Our new single ‘Shades of You’ is scheduled to come out on May 4th so we’re excited for that. We’re shooting the music video for it next week actually.
We’ve just been picked up by the live agents Primary Talent so we’re keen to get out playing live much more. We’re hoping to use the residency to fine tune our live set too.

Tudor. We want to go over to the US and play for all the Americans that have been streaming our music for the last two years!

XY&O is the creative amalgamation of songwriters Skip Curtis, Nick Kelly and Tudor Davies.

It began in early 2015 – Skip (from the Valleys) and Tudor (from Cardiff) began writing music and songs with the intention of pitching them to other artists to use. Skip quickly roped in another Cardiff native Nick Kelly in hopes of bringing another dimension to the music. After posting some early demos online under the moniker ‘XY&O’ the trio started seeing their play count rise. They started receiving airplay on US Radio stations as well as gig offers from US promoters, some of whom assumed the band were from Cardiff, San Diego.

Early on, the boys wrote what would become ‘Low Tide’ – bringing with it the genesis of their unique style, coined by Skip as haze pop. ‘Low Tide’ was self-released and went straight into Spotify’s Global Viral Chart at number 7, reaching an audience worldwide, but was particularly well received in the US. The track has since gone on to accumulate over 20 million streams. The trio gained huge popularity on all online platforms, it was at this point the three had discovered that XY&O had somewhat unintentionally become a band.

The band slowed things down the second half of 2016 and early 2017, allowing Nick to finish his final year studies at University but have now re-focused their efforts into their live show and have recently been taken on by live agents Primary Talent. The boy’s story was picked up by the Wales Online in late 2017 which led to them being featured live on the ITV News at 6pm talking about their unusual story of being a little known Welsh band with an audience in the USA.

They hope to expand their live following over 2018 as well as release plenty of new music. New single ‘Shades of You’ is set for release on May 4th, 2018.

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Setting challenging times for Velindre – a Greek running story, as told by Gwydion Griffiths

There are some avid runners amongst the We Are Cardiff volunteers, so we are delighted to welcome Gwydion Griffiths on to the blog this week. He ran the Athens Half Marathon, and while he might not be sure why he did it, he’s helped raise thousands for Velindre.

The day of the race had come. I had arrived to run the Athens half marathon and I was nervous, excited and apprehensive. I’d never run a half marathon before. Then the questions started. What if I don’t finish? What if I finish last? Does eating too many bananas give you the runs? I got to the starting point, regretting my decision to sign up for this. Looking around, everyone was lean, toned and fit. I was gutted; fortyish, fatish, unfit. I toyed with the idea of taking a few photos of myself with them, spending the morning at McDonald’s, and then picking up my medal after a few hours.

Why had I thought it would be a good idea??

I’ve been raising money for Velindre for years now. Cancer will affect one in two people born after 1960, and that’s sobering statistic. My relationship with Velindre stretches back decades. Just under thirty years ago, when I was studying for my GCSEs, my father was diagnosed with cancer.  Although a little too young at the time to fully understand the implications, I remember being devastated.  However, he received superb care from Velindre and lived to see me, and my siblings, Angharad and Iestyn, pass our exams, go to university and get good(ish) jobs. The cancer returned 12 years later, and this time he lost the fight.

It was a gut wrenching blow to our family, and our mother would be alone in north Wales. She’d made some good friends up there and we visited as often as possible, but she had lost her husband and we had lost our father. Then, three years ago, our mother was diagnosed with cancer. It was another crushing blow. We arranged for her to move to Cardiff to be near her children and receive fantastic care and treatment at Velindre and Marie Curie. She lived to enjoy a nice holiday in Italy, a country that she loved, with me, and spent some quality time with her young grandchildren.

And then 2017 happened. My wife was made redundant in February, my mother passed away in May, after her cancer returned, and then my mother-in-law passed away in August after being diagnosed with cancer. It was a horrible year for us.

Out of adversity, I wanted some good to come, and that’s why I set my Velindre fundraising and running challenge. So, maybe that’s why I ran the Athens Half Marathon – to remember my parents and raise some money for a fantastic cause.

Last summer, I had joined Canton Chargers and Skills running club, who run from Café Castan on Monday nights. Their advice, training and support proved inspirational. I’d also made a new friend, Andy Kreppel, who, despite being a devout Swansea City supporter, became my running partner. Off we’d go every weekend, running up the Taff Trail towards Castell Coch, or down to Cardiff Bay, enjoying chats about football, rugby, work and how much we hated running. One low point was running from Pontcanna to Penarth, about six miles, when it was chucking it down with rain. I was drenched.

Then came the heavy snow. I was miles behind on my training and needed to run. ‘It’s clearing up Andy. Do you fancy it?’ ’No’. He’d cried off like a big baby. So, off I went by myself, running through the snow like Sylvester Stallone about to take on Dolph Lundgren in Rocky IV, but a much less lean and ripped version. The training was done and I was ready. Of course, a special mention must be given to my wonderful wife who gave me time to go out training and her heartfelt words of encouragement. ‘I bet you feel all pious now, running around Cardiff like you’re bloody Mo Farah’ was a particular favourite.

But running around Cardiff isn’t quite the same as doing a half marathon race in Athens. And that was where I found myself, at the front of the race, surrounded by super fit looking athletes. I did what any sensible first-time half marathon runner would do: I went to the back, where I hoped all the slowest people would be. The headphones went in and I started listening to Elvis Presley’s Suspicious Minds, Live in Las Vegas. This would put me in the right mood; upbeat, with a fast tempo. I started feeling a little bit better.

Then the tap on the shoulder came. I was busted. I turned around and a very nice Greek racing steward pointed me in a different direction. ‘I think you are in the wrong place. Your number is blue and you need to be with them’. I don’t speak any Greek and assumed that something had been lost in translation on my registration form. I was placed at the front with people who looked to me like elite athletes. I tried to think of something to comfort myself with. I failed to find anything.

To my left, a man had his ankle on top of a metre-high barrier, stretching. I thought, if I did that I’m going to do some serious damage to my groin. I looked to my right. Another man was wearing what can only be described as a hunting vest. However, instead of bullets and cartridges, he had drinks, gels and sun cream in each compartment. He also had that tape on his legs that is supposed to be good for your muscles. All the gear! I had rocked up in Cardiff Blues shorts, a Velindre t-shirt and my old trainers. And then the race started.

As we passed the starting line, I remember thinking to myself, ‘only another 13 more miles to go’. Within the first mile, I was overtaken by hundreds, if not thousands, of runners. I didn’t mind. I hadn’t set my Strava App deliberately. I didn’t want to know how slow I was going—it’s not a sprint, it’s a half marathon, was my motto.

Then, at about two miles, the noise! There were huge speakers blaring out techno music. Bang. Bang. Bang. If I was in a nightclub it would have been amazing. But I wasn’t. I was running 13 miles around the Greek capital city, and I needed to focus. Then, at about four miles, the African drums came, spurring me on. Boom, boom, boom to the beat of my feet; every stride taking me closer to my goal.

I plodded around for what seemed like ages, and then I saw it, like an oasis in the distance. The finishing line. Off I went, foot down on the gas. Give it my all; don’t save anything for the swim back. I saw the clock — I’d smashed it. About 60 minutes off my target time. I’d nailed it! Unbelievable. And it was. ‘Bravissimo, bravissimo, one more lap to go’ shouted the nice Greek racing steward as I approached.

I was gutted. I was halfway. So, off I went again. ‘Tough times don’t last but tough people do,’ ‘If you’re going through hell, keep going’ and other such clichés raced through my head.

Round the corner, up the hill, down the hill, up another hill, down another hill. Bang, bang, bang Dalek music. Boom, boom, boom African drums. Past the collapsed Corinthian columns of the ancient temple and the old Olympic stadium.  Then, with a mile to go, in went the headphones again. Big Black – Kerosene. Nothing like some classic ‘80s Californian Anarcho punk to drive me to the finishing line.

I did it. I’d completed my first half marathon, in Athens, the birthplace of politics, philosophy, democracy and drama. The birthplace of the Olympics. A city I’d always wanted to visit since seeing photos of the Acropolis as a child.  The race itself took just under three hours (it was hilly) but the journey and all the training had taken about nine months.

None of this would have been possible without the support of the incredible Andrew Morris and Kylie McKee, and the amazing team at Velindre Cancer Research based in Cardiff. A charity that does fantastic work and is close to my heart.

About two years ago, I came up with a simple idea that I hoped would raise thousands of pounds for Velindre. Like most good ideas, it was born in a pub. I’d gone to watch Cardiff Blues record another rousing victory at the Arms Park and went for a few beers with two mates afterwards. I explained to James and Illtud that there were about 660,000 schoolchildren in Wales. If I could get them all to wear red and donate £1, that would raise a lot of money. They thought I was nuts. Undaunted, I ploughed on. I’d worked out that if 10 per cent of the schools took part, that would raise £66,000 and one per cent would raise £6,600. And thus, Wear Red for Wales and Velindre was born.

I trialled it during the glorious Euro 2016, asking 13 friends if their kids’ schools would ‘Wear Red for Wales and Velindre’ when Wales took on England on that sunny Thursday afternoon. All the schools agreed and we raised £3,500. Then I took the idea to Velindre. They liked it, and in 2017, through Velindre’s hard work, about 80 schools and companies took part and raised £20,000.

In 2018, on the eve of the first Six Nation match, Velindre had received 344 registration forms: 185 from schools, 139 from companies and organisations such as the Welsh Government, and 20 from individuals. They all took part in Wear Red for Wales and Velindre 2018. Each person had donated £1 – and we just heard the total amount raised is now in excess of £100,000!

Next year’s date for Wear Red for Wales and Velindre has been set for Friday 1st of February 2019, when Wales open the Six Nations, taking on France in Paris. It’s easy to take part, just get your work, school, university, club, gym class, pub, choir, or whatever, to Wear Red and donate £1 per person. You make the difference. Please donate at Velindre’s website.

Gwydion Griffiths, lives in Pontcanna, Cardiff with his wife, eight-year-old daughter and two cats. Having previously worked for S4C and Cardiff Blues, he now works in Business Marketing for the Welsh Government. A season ticket holder at Glamorgan Cricket, Cardiff Blues and Wales football he can be spotted plodding around Llandaff Fields and is thinking of participating in another fundraising race.

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The first signs of spring!

Okay, so it’s official – spring has sprung! No lambs or fluffy chicks in the city centre, but plenty of colour. Photojournalist Ben Rice went on the hunt …

Fingers crossed for warmer weather!

Follow Ben Rice at The Cardiff Tribune and Ben Rice Photography.

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What’s on in Cardiff – Easter weekend 2018 special

Okay, so the sun is FINALLY out, hopefully everyone’s bank accounts have recovered slightly from the Christmas mash up, and you’re all revved up and you want to go out! Also, in case you’re visiting Cardiff for the Joshua fight and looking for something else to do around watching grown men slowly beat each other to a bloody pulp, LOOK! There’s loads on!

Or maybe you’re a local, suffering from event overload – after all – maybe there is TOO much on, and you’re having trouble deciding what to do? Don’t fear, the We Are Cardiff What’s On – Easter Special Guide is here to haaaaalp!

There are two music festivals taking place across the whole of the weekend – Wales Goes Pop! at The Gate in Roath, and The Moon’s Easter Bank Holiday Weekend (which is F R E E!), which explains why you’ll see multiple entries for those. Other than that, we’ve got art exhibitions, yoga for runners, litter picks, as well as ALL SORTS of live music you can enjoy at gigs and club nights.

So don’t delay – read on and book your tickets where you can, a bunch of these are approaching BEING SOLD OUT!

What’s on in Cardiff – Thursday 29 March

STAR PICK! Cardiff Music Awards 2018
Thurs, 29 Mar · Tramshed Cardiff, 6pm – 11.30pm

YES YES! The Cardiff Music Awards are bringing the noise (and the party) with this rather smashing line up at the Tramshed. The event celebrates the BEST of our city’s musical talents, from bands to producers to promoters. The line up includes some of our fav Cardiff acts – Afro Cluster, HMS MorrisRainbow Maniac, and DJs GRL TLK. TUNE IN TO SEE WHO GONNA WIN! Yagetme. Etc.

Cardiff Music Awards – tickets / Cardiff Music Awards – website

OTHER EVENTS IN CARDIFF ON THURSDAY 29 MARCH:

Kicking off the Moon’s weekend of epic tunes is Blowout Presents – No Violet + Support, Esuna, Cult of Hands and DJs til late. Grunge / Alt-Rock / Fuzz – FREE ENTRY!

Cardiff’s longest running club night (we’re nearly at its 19th birthday, people!!!) returns with its standard mix of twisted rock, indie, Britpop and all manner of things in between. Free entry til 11pm, get your shuffle on.

If you want to shake your thing to a wild cocktail of UK Funky, Bass, House and Afro Disco, we suggest you take yourselves down the steps to Undertone for this Rough’n’Tumble. Buy Rough n Tumble tickets

What’s on in Cardiff – Friday 30 March

Star pick! Astroid Boys | Y Plas, Cardiff Students’ Union
Fri, 30 Mar · Y PLAS, 7.30pm – 10.30pm

Our very own local grime punks are bringing their super lively style to the big stage! Astroid Boys have been all over your doink recently, with superstyle collabs with Adidas, and having their track Dusted chosen as the theme song for the WWE UK Championship Tournament. And DON’T MISS THE AFTERPARTY AT METROS!

Astroid Boys – website / Astroid Boys at Y Plas – buy tickets / Astroid Boys afterparty

OTHER EVENTS IN CARDIFF ON FRIDAY 30 MARCH:

It’s the first day of Wales Goes Pop! Celebrate with the best indie pop around: Sweet Baboo + Jeffrey Lewis + Peaness + Drahla +Charmpit + PURS + The Echo and The Always / cafe sets: Jemma Roper +Thee Manatees + Private World / DJs til 1am

Wales Goes Pop! website / Buy Wales Goes Pop! tickets

If you happen to be in town for cheeky drinks before you go out, make time to head into Queens Arcade to visit the Three Doors Up gallery with their latest exhibition, ‘Lomography’. Free entry plus culturally induced smugness.

If you’re an old raver (like I am), then let me let YOU into a little secret: Tramshed host all sorts of wicked house music nights that START EARLY AND END EARLY. So you can party like it’s your birthday until midnight, and then leave all the kids to go on to the afterparty. Anyway, this is one of those events – with Knee Deep In Sound head honcho, Hot Since 82. Expect house music all night long! (until midnight). Also there’s the Hot Since 82 afterparty, with Mella Dee headlining at infamous Cardiff venue, The Vaults!

If you’re indie, indie, all night long, then you’ll probably appreciate everything on the Nice Swan roster. Supported by Cardiff band, Sock! Buy Nice Swan tickets

The Moon continue their free music festival with headliners The Audio Pirates
& support! There will also be DJs playing alt rock indie punk psych til 4am. Head to Womanby Street and feel the beating pulse of Cardiff’s alternative music scene!

For those ragga enthusiasts in the building, make sure you grab tickets now for General Levy! We’ll be skanking by the left speaker at this one, make sure you come and say hi! Buy General Levy tickets

What’s on in Cardiff – Saturday 31 March

If by some miracle your hangover’s not that bad on Saturday, there are a bunch of great daytime events happening this Easter Saturday. To get your shop on, head for the Vintage Kilo Sale (10am, Canton) or the Boutique Gift Market at the Norwegian Church (10.30am, Cardiff Bay). For those of you that need to move, you could try the Welsh Hula Hoop Convention (10.30am, Cardiff Bay),  Yoga for Runners (10.45am, Pontcanna), B-Girl Dance Workshop (2.30pm, Cardiff Bay), or an Adults Roller Skating Session at Cardiff House of Sport (5pm, Leckwith).

Oh, and if you’ve been naughty, you can always attempt to atone by attending the Keep Splott Tidy litterpick (10am, Adamsdown), and if you’re hungry, head to the third in the Wasteless Supper series (7.30pm, city centre), where you can get fed and feel smug at the same time.

Don’t forget, Saturday is the day of the Joshua vs Parker fight in Cardiff, so town is likely to be a carnival of epic proportions!

Now, onto the main events …

Star pick! Wales Goes Pop! 2018, 1.30pm – midnight
Sat, 31 Mar · The Gate, 1.30pm – late

Although Wales Goes Pop! is carrying on all weekend, for us the Saturday line up is The One: just check this out …

Dream Wife + Kero Kero Bonito + Desperate Journalist + Personal Best + Axolotes Mexicanos + She Makes War + The School / cafe sets: Buzzard + The Yearning + Rafa Skam (THE YELLOW MELODIES) / plus DJs til 1am.

Wales Goes Pop! website / Buy Wales Goes Pop! tickets

OTHER EVENTS IN CARDIFF ON SATURDAY 31 MARCH:

If normal clubs melt your mind and you yearn for something a bit less beaty, how about checking this – the first Ambient Afternoon, which aims to create a relaxed listening environment where anyone can have a cup of tea and wind down. The music will be non invasive, cross many genres and will soothe your soul. How good does that sound? In case you have no idea what we’re talking about, listen to this: Aquarium – Rainy Night in Shibuya. Vibes.

If you like your beats reggae based and dubby, head to the Moon for The Barefoot Bandit & support! Reggae / Dub all night long, plus DJs playing reggae funk soul dub punk hip-hop til 4am!

Our favourite night cafe bring the noise with Studio 89 -New Beat | EBM | Italo | HiNRG | Industrial. Come prepared to dance (and also potentially eat some of the amazing food they make at this place…)

Signor Funk does what he says on the tin – expect to hear from the likes of Northern Soul favourites Dobie Gray, Al Wilson, Jimmy Radcliffe and Epitome of Sound to more obscure rarities, all mixed in with cool dirty disco tunes. Also there’s 50 per cent OFF ALL DRINKS between 9-10pm! Get the party STARTED already!

If your idea of a good night starts late and finishes when most people are still fast asleep – oh, and takes place in a bank vault – then grab your dancing daps and head to The Vaults for the biggest d’n’b lineup to hit the city so far this year. Basslayerz, MC Fatman D, Grime Minister, MC Juiceman, AAA Badboy and MC Comma Dee will be performing for your pleasure (and no, we didn’t make up any of those names). Buy tickets for Concept vs Circle 8

What’s on in Cardiff – Sunday 1 April

Seriously?? You’re still looking for things to do? You’re not tired yet? For those of you with the stamina to keep going, you’re in luck! Daytime events taking place on Easter Sunday include an Easter Egg hunt on Flatholm Island (6.30am, Flatholm), a circus convention with workshops at Up Side Down Circus (10am, Tremorfa), you can watch Donnie Darko in a Victorian arcade (6pm, city centre), or join Cardiff’s unicycle club (8pm, Leckwith).

If it’s music you’re after, then read on for other events …

Star pick! Blue Honey Bank Holiday w/ Awesome Tapes From Africa
Sun 1 April · Gwdihŵ Café Bar, 3pm – 2am

Yes yes! It’s Blue Honey’s fourth annual day/night party at Gwdihŵ Café Bar car park. And they’ve got a pucker headliner – AWESOME TAPES FROM AFRICA making his Cardiff debut! Support comes from the untouchable Darkhouse Family, Esther, Rotary Club and Blue Honey DJs.

Blue Honey event page / Buy tickets for Blue Honey present Awesome Tapes from Africa

OTHER EVENTS IN CARDIFF ON SUNDAY 1 APRIL:

Wales Goes Pop! brings out the big guns for the Sunday line up –  Shonen Knife + Brix & The Extricated + Goat Girl + Colour Me Wednesday + Bad Parents + El Goodo / cafe sets: Adwaith + Perfect Body + Think Pretty. Plus DJs til 11pm!

If house music all night long in a secret warehouse is your thing, be sure to grab your tickets NOW for the Delete Warehouse residents party – featuring Matt Owen, Marc Parsons, Lee Graves, Kofi Tarris, Owain Kimber, Gerrard and Aled Wynne. Location TBC direct to each ticket buyer! Buy Delete Warehouse Party tickets

On Sunday, the Moon wrap up their weekend festivities with CVC, Mike Dennis, Hash-Hann (Beatbox Hann), Papa Jupe’s Taurus Club, Anonymous Iconoclasts, Luke Bennett Music + DJs playing alt rock punk reggae funk soul dub hip-hop til 4am!

We don’t talk much about metal on this blog. Which is a shame, because in terms of subgenre descriptions, metal is probably the most inventive genre out there. Don’t believe me? Well, this line up that contains the following: Dutch grind / death /  sludge / crust / black metal; Swedish death metal fused with UK hardcore; Scouse hardcore; London grind / powerviolence / mathcore; and finally, my favourite of all, London nutella grind.

No I didn’t know they were still going EITHER. Buy Embrace tickets

If you’re in need of a lovely sit down jazz gig, make sure you get your tickets to this – she’s hotly tipped by Jamie Cullen and Michael Ball. More jazz please vicar! Buy Sarah Munro tickets.

I hope they’ve got decent cleaning staff in the Vaults for this mega bonanza heavy tuneage weekend. Sunday’s party brings you techno – in a bank vault – all night long! Buy High-Fi 002 tickets

If you’re gagging for some d’n’b, then back down the stairs you go to the warm, sweaty embrace of Undertone. Rising stars on this line up – Apollo, Hoodfellaz Hoodfella development, Shanny Shan and Obsidian, with the night hosted by Hoodfellaz, Slim Teng, MC XL. Buy XL Invites – Critical Impact tickets

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Well I don’t know about you, but I’m absolutely exhausted just going through those. Might invoke the concept of JOMO and lock myself in my house …
Nah! We’ll be out all weekend, and we can’t wait. See you on the dancefloor (or, potentially, at a litter pick or in an art gallery)

Peas

WAC
x

***

 

Riverside Market Garden – behind the scenes

If you’ve ever been to the Riverside Market, you’ll have noticed the Riverside Market Community Garden stall. They sell fresh produce and also provide veg boxes for very reasonable prices for local folks. The produce comes from a little further afield than Riverside though – to trace these leaves and roots back to … well, their roots … you’ll have to travel over to St Hilary. Veronika Merkova headed over there to take some snaps (pre snow!) to show you where those green bits come from.

To see the full album, visit the We Are Cardiff Facebook photo album: Riverside Market Community Garden

Find out more about the Riverside Market Garden on Facebook

There is a very lovely feature on Veronika here on Together and Sunspell – Veronika Merkova

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Snowmageddon: an update from the Cardiff streets

So, it wasn’t quite the St David’s Day most of us were expecting, but who cares with this much joyous white stuff everywhere? Cardiff has been transformed over the past few days, but if you’ve been stuck in your hood, don’t fear – we’ve gathered together the best bits and pieces from around the city!

So here’s what happened …

IT SNOWED INSIDE THE ARCADES…

By Sion Tudur on Instagram

WE BUILT SNOW PEOPLE

By Amy Silva
By Melissa Mizzi
By Peter Benbow
By Chris Marshall

WE SAW HELL (aka The Taff) FREEZE OVER

By Ailura Photography

THEN WE SAW ROATH LAKE FREEZE OVER, BUT WEREN’T AS IMPRESSED AS WE SHOULD HAVE BEEN 

By Liam Ellis

WE HELPED PUSH CARS (and realised in the process that boys really like pushing cars)

WE SAW EERIE VIEWS OF THE CITY …

By Joy Collective
Rhys Tranter documented his wandering around a snowy Cardiff Bay …

By Sarah
By Joshua Pook
By Deemah

WE HAD RELIGIOUS EXPERIENCES

By Nathan Wyburn

WE FLEW DOWN HILLS …

WE GOT SMASHED AT OUR FAVOURITE LOCAL BOOZER

https://twitter.com/StCannas/status/969332132752646144

SOME OF OUR PETS ENJOYED IT

SOME OF OUR PETS DID NOT

WE FREAKED OUT AND BOUGHT ALL THE FRUIT

https://www.instagram.com/p/Bf3TbElhII4/?taken-at=219323

WE GOT CREATIVE WITH IT

By Max Higgins

https://www.instagram.com/p/Bf3yaelnDZw/?taken-at=219323

Big BIG ups to all you 4×4 drivers offering lifts, and emergency service people, and nurses, and other essential services where you can’t afford to have a snow day. Also to all the neighbours helping shovel snow and doing small shop runs and pushing cars. The beast from the east got us all doing community service!

Stay warm, Cardiff

Peas
x

***

A trip up Asbo Hill (aka Asda Hill, aka Grangemoor Park)

For the past year, I’ve been writing a column for Caught By The River, exploring the River Taff. My latest piece veers off course from the Taff and heads for the land in between the Taff and the River Ely, a place known as Penarth Moors – unassuming marshland before being turned into a municipal dump in the 1970s.

Here’s the piece in full – Wandering the River Taff: A Detour

But as usual, there was loads of stuff I couldn’t fit in the shorter piece, so I thought I’d sketch out all my research here. This is the area I’m talking about.

This was taken on a sunny day in late autumn 2017 …

At the end of their river flows, both the Ely and the Taff dump their waters into the same large basin (formerly the estuary – now the grander container that has given its name to the area surrounding it: into Cardiff Bay).

As well as ending in the same place, the Ely and the Taff have other parallels. Both have suffered the same extreme pollution problems: declared “dead rivers”, flowing black with sewage, coal dust and industrial waste they had picked up from the heavy industry of the valleys they flow through. Thanks to regulation and a lot of effort, both are in better shape than they were, and are now home to a variety of flora and fauna.

Both rivers have also had their natural courses altered by man: each straightened in sections to better fit our urban plans. The Taff was straightened by Isambard Kingdom Brunel in the 19th century to build Cardiff Central Station, while the Ely was straightened over a century later – less glamorously, to create more space for the Ferry Road landfill site.

Here’s a map of the same place from 1956 (From this NLS Map: ST17 (includes: Cardiff / Caerdydd; Penarth), published 1956). Note the mad wiggling of the River Ely as it heads out towards the Severn and compare with the map above.

The Ferry Road landfill was created in 1969 when the Ely was straightened by cutting off one of its bends. The empty river channel became a hole for Cardiff to throw all its crap into. The city  soon outgrew this hole, and we started dumping our waste across the salt marsh. By the time the tip was closed in 1994, it was one of the biggest in Britain.

At the height of its seafaring power, Cardiff was the biggest port in the world. But the city’s decline in fortunes over the 20th century was so severe, the topic was debated in Parliament repeatedly. After years of discussion, eventually, in 1987, the UK Government created the Cardiff Bay Development Corporation, whose job was to improve or upgrade south Cardiff’s infrastructure and develop a plan for its future use. The Ferry Road and Ely Fields redevelopment was part of the much bigger project of building the Cardiff Bay Barrage, creating an artificial freshwater lake around the city’s waterfront area, covering 490-acres formed from the impounded waters of the Rivers Taff and Ely. It was a hugely controversial project, contested throughout its life. It still draws mixed reviews from residents.

The Cardiff Bay Barrage Bill only just squeaked through Parliament – you can read some of the debate (including discussion about what would happen to the Ferry Road tip) in the Hansard from 25 November, 1991.

Reading through the debate, you get a sense of the enormous complexity of the project. Regeneration of the area is of key importance … but much of the land is taken up by SSSI (sites of special scientific interest because of the flora or fauna). But for me, a key point is from Barry Jones MP (Alyn and Deeside):

There can be no doubt about the need for urban regeneration in the Cardiff docklands. The docks of Cardiff were at the centre of the coal-based prosperity of south Wales. Coal from the valleys of south Wales made Cardiff the world’s leading coal-exporting port. The decline of the docks has mirrored the decline of the south Wales coal industry. Now, with fewer than 2,000 workers in our pits, Cardiff docklands must find a new identity and a new prosperity. 

As part of the plans to improve the area, the Corporation proposed a new A road to link south and west Cardiff with the M4. The plan for this road – which is now the A4232, a road I drive on nearly every day – plotted its route straight through the middle of the tip. Once earthworks began, tipping was restricted just to the area to the north of the A4232. By the mid 1990s, this area towered almost 20 metres above the surrounding area.

If you’re interested in really getting into the detail of the area, this image is a 1960s aerial photograph of the area. It’s taken from a PhD submitted by a Cardiff University student in 2006: Development of Geoelectrical Techniques for Investigation and Monitoring of Landfills, by Andrew George.

Fast forward through time to 1988, and you can see how the river was shortened through diversion, and filled with rubbish. This next image is taken from the same publication …

This 1988 air photograph of the Ferry Road area shows how far the landfill extended from the initial river channel. It also shows the proposed development route for the A4232 – right through the centre of the site.

This view is from inside Grangemoor Park today, underneath the A4232 flyover. It’s fairly quiet, apart from the cars tearing along overhead.

The A4232 neatly splits the site into its two locations: Ferry Road landfill to the north, and Ely Fields to the south. The land of Ely Fields used to be brickworks, rope works, storage depots and scrapyards. A different kind of ‘Elysian’ – a distinctly south Walian, industrial one. Memories of our industrial history – industries we can no longer support, now Cardiff’s not the port it used to be. So a tip was what it became: shovelling endless tonnes of rubbish onto our heritage: burying it deep, deep underneath the consumerism of the 1970s and 80s.

As I mentioned in my Caught By The River post, during its lifetime, the Ferry Road municipal tip amassed four million cubic metres of household and commercial refuse. The initial plan to move all this crap to Bedford by rail was poo-pooed in the end, and the Cardiff Bay Corporation instead decided to pile all the rubbish up in one place, add an impermeable layer on top (which is why the park turns into a bog whenever it rains), and create a city park.

The following image shows you the detail around the layout of Grangemoor Park, including the extent of the old landfill site. This was taken from The Reactivation and Remediation of the Landfill Site at Ferry Road by A. Phillips and H. Cherrill, in Geoenvironmental Engineering: Contaminated Ground: Fate of Pollutants and Remediation.

Whatever you think about out-of-town shopping complexes, I don’t think anyone would complain about having a park replacing a landfill. Would you?? Go on. Just try it. Urban wildlife flourishes here. There are butterflies, endless insects, skylarks and other birds. I’ve read that the pond at the bottom of the site has various species of newts, dragonfly and damselfly (although everytime I wander past the only thing floating around in the water is empty McDonald’s wrappers).

As well as the birds and squirrels I see on the site (and the rats and foxes my dog goes mad sniffing after when we walk), the site is also now being used for refugee animals being turfed off their homelands. In 2006, 850 slow worms were moved to the park from a local housing development (the new houses and flats you can see on the other side of Ferry Road). The slow worms have not only survived but babies have been found – apparently the mix of tall grass and small bushes is an ideal habitat for the worms. They like mosaics – of shaded areas where they can hide and rest, and areas which are exposed to the sun where they can bask and increase their body temperature.

Stand on the link artwork at the top of the hill. Look south. See rising lands ahead of you: this marks the edge of Cardiff and the start of the Vale of Glamorgan. Leckwith behind all the hills. And then the River Ely, gently winding around you.

The peaked building in the centre of this shot above is the charmingly named “Outfall Sewer Cardiff (Western District)” (known today as the Pumping Station or the Pump House). It was built in 1907 by engineer William Harper, who’s been mentioned in this column before (he designed and built much of modern Cardiff, specifically the Clarence Road Bridge, which I wrote about last time). This Edwardian Sewage pumping station is formed of a single storey yellow brick building with slate roof and six round headed bay windows with red brick arches. If you visit it today, your experience is a far more sanitary one: there’s a nice little cafe, and vendors dealing in antiques and collectibles in the 32,000 square feet of the place.

Back to the chain link sculpture at the top of the hill. Look down, right there, by your feet: the flatpack mixture of the same out-of-town shopping offerings you’ll find in any of these man-made hubs. It’s where you’ll find our Ikea – on weekdays, full of confused students whose parents are trying to help them kit up and grow up, as if adulthood comes flatpacked, accompanied by a set of tumblers and some candles.

But look beyond, to the north, beyond Ikea, to the maritime-inspired spikes of the Millennium Stadium. You see the city spread around you, like a glossy plastic puzzle that you could reach out to and move pieces around in. Closer to the lens, you see Cardiff, the buildings like tiny toys – for so long, the city kept from building upwards to “preserve the skyline of the city” (what skyline, you might well ask). Integrity now forgotten, they’re bollocking high rise up everywhere they can. The Millennium Stadium, the BT Tower. It looks like one of those pop up cards that show you the city you live in as a weird, 3D-2D image. The mountains that invite you to the Welsh valleys to the north; the Garth, Machen Quarry. Even Castle Coch is visible on a clear day, if you’ve got eyes like a shithouse rat.

We’re a city that’s poor, iconically, which is perhaps why we’ve struggled to market ourselves effectively. We have no Clifton Suspension Bridge, no Museums of Science and Industry. No huge glass structures, or sculptures standing on the tides. Without a visual soundbite that works in silhouette, a visual catchphrase, what are we?

I’ve always thought that Cardiff was more of a feeling than anything that’s easy to explain through leaflets or website copy. Maybe that’s why so many first time visitors come here expecting little, but leave with an inexplicably warm glow about them. 

Further reading:

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Cardiff Music Awards 2018 – finalists announced! Get voting!

YES Cardiff. The finalists for the 2018 Cardiff Music Awards HAVE BEEN ANNOUNCED! So get on with it, and get your votes in!

There were over 3000 nominations across all 20 categories, which have been narrowed down to just FIVE in each section. Voting is NOW OPEN, and will close on the 23rd of March. You can vote now! Head to the Cardiff Music Awards website.

Need some inspiration? TAKE YOUR PICK (before voting …)

CHROMA – Vampires

 

Boy Azooga – Loner Boogie

 

Astroid Boys – Cheque

GRLTLK Mini mix

VOTING IS OPEN NOW! GO! Head to the Cardiff Music Awards website. 

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Jenny moved to Cardiff … because of Human Traffic

This week’s up close and personal comes from an old raver who moved to Cardiff in 1999. Her inspiration: Justin Kerrigan’s clubtastic Cardiff-based flick, Human Traffic. Here’s Jenny to tell us more.

I can still remember the first time I saw Human Traffic. Sounds ridiculous, but that film changed my life. I was living in Exeter and I messed up my A level exams, and so ended up with shoddy grades, unable to get into any of my university choices. I only just managed to get into Reading, but I didn’t like Reading at all. Most of my friends were off travelling, and I just didn’t seem to click with anyone there. One night, my flatmates suggested we watch a film before we went out. One of them had this new film, Human Traffic, on video (VHS!!! Imagine). I’d heard vaguely about it but couldn’t afford to go to the cinema back then, so hadn’t seen it.

We watched the film in the communal area (which was basically the kitchen), all wrapped up in blankets, sitting on uncomfortable kitchen chairs, smoking spliffs and drinking beers, totally absorbed in the whirlwind 99 minutes of clubs, drugs, pubs, and parties, all set in this magical narnia called Cardiff. The soundtrack was amazing, the people seemed friendly, the city like a neon playground inviting you from club to house party, back to club.

I realise, obviously, that the film’s not without fault. The dialogue is clunky sometimes, the storyline abjectly ridiculous. But it’s not really about any of that, so none of that matters. It’s about capturing a moment in time. It’s about being a certain age, being part of a scene, when you might never have really belonged anywhere before. And by those standards, it might as well be Citizen Kane. That’s certainly how I felt about it.

Also Danny Dyer. It is most definitely about Danny Dyer.

I was super fed up with Reading, and my friend Pete was at uni in Cardiff, and so during the first term I bought myself a railcard and took the train there to visit. There was some event on at Solus in the student union – maybe Carl Cox, or something? The entire union was covered in camo netting – it was everywhere. By this point, drugs had entered my recreational lexicon. I hid the pills in my bra and we distributed them amongst us when we got in there. Pete’s flatmates came with us too, they were still in that slightly awkward initial freshers phase, where you sort of have to hang out together because you haven’t met your tribe yet, but they were all lovely, if awkward.

I was off my face, ended up snogging this cute blonde that lived in a student flat a few buildings away from them. The music was a mixture of trance and hard house. It was epic, driving music, with enough weird psychedelic sounds to keep your brain tweaking while you danced and stamped away, blissed out.

Pete and his flatmates ended up meeting loads of new friends that night – we all went back to someone else’s flat in Talybont South, where they produced endless amounts of weed and bongs, lungs, shotties. I never really liked weed so opted to just keep drinking booze and smoking fags. We hotboxed ourselves in that tiny living area until it started getting light, when we all stumbled back to Pete’s flat, shading our eyes from the dazzling October skies.

We couldn’t sleep, of course, so after a few hours fitfully rolling around on the floor, Pete decided we needed a fry up and then to go back to the pub. We didn’t bother showering – I think I just about managed to brush my teeth – and back out into the wilds we went, all wearing sunglasses, clutching cans of Oranjeboom, heading up to Cathays to The Warm As Toast Cafe (Twat … RIP!) for ‘breakfast’.

After we’d managed to hold down the food, Pete started getting a second wind. We headed for the nearest pub – can’t remember which one it was now, one on the way into town. It might have been Inncognito, which later became Cardiff Arts Institute. It was late afternoon by this point and they had DJs setting up in there. We alternated between pitchers of beer and pitchers of cocktails, and although it’s almost impossible to get pissed the day after a massive session, the day-after drinking always felt so nice: like a big cushion around your come down. (I would find out years later was actual real come downs were like: when you’ve got an unforgiving 9-5 and you haven’t slept all weekend and by Wednesday you think everyone hates you and wtf does your life mean and literally want to fall into a hole and die).

Feeling slightly more sprightly, we decided to head into town. It was only about 5pm at this point and all the shops were still open, so I got a whistle stop tour of the most important independents: Hobos, for natty threads; Catapult, for all your dance music; and Spillers, for indie, rock, and everything else. I bought a London Elektricity CD from Catapult (I still have it!) and a Spillers t shirt which I wore over my shirt for the rest of that night.

We went for a burger in the Gatekeeper, and Pete bumped into some friends from his course, who were heading into Clwb Ifor Bach, which really was a ‘Welsh club’ back then: we were only allowed in as we went in with some Welsh speakers, and I got given a membership card to sign that promised that I was learning Welsh (something I’ve still not managed to master, despite having lived here for nearly 20 years now – good job they don’t check up on you anymore).

The night gets hazy after that. Endless trips to the damp loos, as Pete got some charlie off someone in the queue. Sneakily smoking spliff on the dancefloor. I can’t even remember what the music was now, maybe some sort of indie night. The crowd was completely different though. Fewer students. More young professionals.

We got to bed around 2am and slept til about 3pm. I woke up already late for my train, and had to get a taxi to the station. I made it with seconds to spare. I got a Burger King when I was back in Reading and slept through all of my Monday lectures.

And that was the first of many such weekends in Cardiff. I was back in Cardiff every weekend during that first term. I bumped into Meic again (the blonde guy I’d snogged that first night), and soon we were an item. Eventually realised there was no point in travelling back and forth all the time. My heart was in Cardiff. Not necessarily with Meic – we split up after a few months – but in the city. Pete moved in with his girlfriend so I took his room and moved in with his flatmates. Turns out we were a tribe all along!

I thought I might apply to Cardiff Uni, but my grades hadn’t been great, and I didn’t really know what I wanted to do – I just knew I was much happier doing anything in Cardiff than I had been in Reading or back in Devon.

I gave up on the idea of uni altogether and started working. Like lots of people, I guess, I was temping, doing all sorts of different things, and then just sort of fell into working in events. I think I got to have the best of both worlds, back then: I hung out with students all the time. I even went to a couple of lectures, just to see if I’d enjoy it. But I didn’t really.

My memories of those days revolve around the nightlife. I made so many good friends on nights out – people I’m still close to now. Friendships forged in sweaty hugs and toilets and on dancefloors across the city. I even ended up meeting some people that had been extras in Human Traffic itself – extras in the house party scenes towards the end. They told me they’d wanted to make it as realistic as possible, so they were all smoking spliffs and drinking beers. TRUTH.

The venues were key. The Emporium, for example – where I spent so many nights – was where part of Human Traffic was filmed. You can even see some of its posters in the background of the scene where Jon Simm tries to blag his way into the club – apparently this scene was shot in the manager’s office.

Then there was Welsh Club. The Toucan. The Hippo. The Model Inn. Club M. Club X. Gretzskys. Metros. Apocalypse or Vision  or whatever it was called by  the end (it then turned into Primark … and is now some other high street chain shop). The Student Union – Solus upstairs, and Seren Las downstairs. The Philharmonic. Evolution and the party bus from town to the bay. Barfly. Sugar. Moloko. The Point. There was some place behind a fancy dress shop on Clifton Street we’d go to for after hours parties. And we used to go to everything: techno, drum & bass, the reggae parties down the Bay. Hard house was more of a push for me but I’d still go.

There were some nights we wouldn’t leave the house until midnight. These days I can’t remember the last time I was even awake at midnight without there being a baby crying or a dog with the runs demanding to be let out of the house. How things change!

Venues open and close. Unless you were around Cardiff at the start of the 2000s, you probably don’t even recognise half those places I’m talking about. The union is all coffee shops now. I read something recently about how students and young people don’t rave or drink or take drugs anymore, and it made me sort of sad, double sad, for them – that they won’t experience all those amazing things – but also myself. I miss those days. I miss being young and carefree and not having kids or a mortgage to worry about and being able to spend all night roaming around the city, smoking rollies with tramps and going back to random houses for parties.

Don’t get me wrong, I wouldn’t change my life now for the world. I just wish I’d revelled in those days, in that time a bit more. Also it was a weird time in terms of the internet – right early days, so it’s not like I can just flick through Facebook albums whenever I feel nostalgic. I barely had a mobile phone at that time, and I certainly didn’t have a digital camera until nearly a decade later.

As for Human Traffic now? I actually haven’t watched the film in ages. It’s a treat that I save up for myself when I’m poorly. I love doing that really boring thing of “I know where that is!” when they’re in some of the outdoor scenes. And I know I’m not the only one that really loves it: because I still see articles about the filming locations or interviews with Justin Kerrigan popping up every so often.

***

Jenny Jones is an events manager who dreams fondly of her youth. She currently lives in Fairwater.

Wanna read more?

Peas

Catch this family friendly Cardiff Christmas show, made by feminist theatre pioneers: The Giant Who Had No Heart In His Body

If you’re looking for some heartwarming, family friendly theatre to warm your cockles before the big C hits this year, head to Chapter on Friday 22 and Saturday 23 December! Likely Story Theatre’s newest work – The Giant Who Had No Heart In His Body – includes grand tales of adventure, once forgotten fables, and that anecdote your uncle always tells at Christmas. No matter what they are about, stories can’t just be told – they have to be caught. Thankfully story catchers Agi and Dot are doing just that. Watching from their home in the clouds, they scout the sky for stories and catch them before they float away on the wind. Now the pair face something they’ve never faced before: telling their own story. Will they be able to pull it off? Only time will tell…

This is a lovely Christmas show that takes on an Norwegian fairytale using a magical mix of puppetry, live music and humour. GET YOUR KIDS THERE (grown up ones too!), THEY WILL LOVE IT.

WHEN AND WHERE
Friday 22nd December, 6pm (British Sign Language interpreted performance) &
Sat 23rd December, 11.30am and 3.30pm.
Chapter Arts Centre, Market Rd, Cardiff, CF5 1QE Tickets: £5 / £17 family ticket (4 tickets including at least 1 child)
Info: www.likelystory.org.uk
Tickets: www.chapter.org

 

This heart-warming show was created by Likely Story’s founders Hazel Anderson and Ellen Groves, with the help of their young children.

“We were developing a piece with my son Toby in the room,” Hazel explains, “we were playing with ideas and getting really excited when Toby started to cry because we’d left him, our audience, behind. We did the piece again but, this time, we built up the energy more slowly and bought him with us. It meant we created a scene with a completely different feel.

“It was a good reminder that the audience wants you to play with them, not just for them.”

Motherhood hasn’t just had an effect on this particular show, however, as Likely Story acts as a flagship company that demonstrates how creative organisations can foster the talent of mothers, and how people can create theatre as a family.

“In a professional setting you so often feel like you need to apologise for your kids being in the room,” says Ellen “now we’ve changed that from being seen as a burden, to being a gift.”

With both kids and grown-ups helping to shape The Giant Who Had No Heart In His Body – and with tickets only £5pp or £17 for a family of four – the entire family can see a show that is just as funny and fascinating for the over 70s as the under 7s.

“In the mix of a very commercialized Christmas, this is a show that aims to bring families closer together with play, love and lightness. It’s a show that is created with a lot of everyday objects, so that families can play and recreate it at home” says Ellen.

Hazel explains: “It’s a show that kids will laugh at, adults will laugh at, and they will both laugh at each other laughing.”

Likely Story Theatre was founded in 2006 by likely ladies Hazel Anderson and Ellen Groves. It was created on the simple philosophy that the women shared: the belief that storytelling is magical and that stories are best brought to life through the imaginative use of ourselves and everyday objects.

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