Festival of Voice 2018, Cardiff – preview!

Journalist Ben Newman gives us his lowdown on the wonderful Festival of Voice 2018 – taking over the streets of Cardiff for a fortnight, from the 7 – 17 June …

The Festival of Voice, following the event’s enormously successful Welsh-centric event last year, has returned, promising a line-up that balances pastoral Welsh treats with internationally-renowned performances. At its core, the festival is all about celebrating what makes Wales tick, along with appreciating the power our collective voices have, whether that be artistically or otherwise.

The festival lasts from June 7 – 17, with events running throughout each day across several locations. Most of the festival will take place within the Wales Millennium Centre, but other venues around Cardiff are hosting some events, including Chapter, Clwb Ifor Bach, New Theatre, and so on. The timetable for the festival can be found on the Festival of Voice website, along with a full description of the acts on show.

Highlights, with the obvious show stoppers Patti Smith and Elvis Costello aside, include Gwenno, the Welsh-Cornish alt-pop sensation, Billy Bragg in a special “Voices of Protest” performance, Laura Marling’s and Mike Lindsay’s LUMP, the wonderful one-woman stage performance Lovecraft (Not The Sex Shop In Cardiff), the Charlotte Church curated Utopia – which includes Ionalle of iamamiwhoami fame – and all of the smaller, local performances.

We also recommend following checking out @DTACardiff for a very special and secret pop-up with a difference taking place throughout FOV …

Tickets for each individual event can be found on SeeTickets, with prices varying depending on the act.

Festival of Voice website

Festival of Voice Facebook

Festival of Voice Twitter

Festival of Voice Instagram

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Four Canton businesses that give back

Journalist Ben Newman explores four sustainable businesses on the west side of town.

Cardiff, in our (sort of) biased view, is full of businesses that give back to the city, community, and the entire cultural fabric of the Welsh capital. From cafés to corner shops, many of the people and businesses of Cardiff are charitable and utilitarian, so to celebrate that, we’ve collated four Canton-based business that have been giving back in a big way recently.

Hey Clay! At Cardiff Pottery Workshops

Everyone, at some point in their lives, has said to themselves that they want to try pottery “one day”. Who knows what it is that attracts so many people to ceramics, but for some reason, the discipline feels oddly impenetrable, reserved for arty types and the creatively-inclined. However, Hey Clay!, an event at Cardiff Pottery Workshops, is an attempt to bridge the gap between ceramics and the people. Essentially, the event is a free lesson to allow anyone, especially those who are disabled, to have a chance at pottery and learn a thing or two. Hey Clay! is a Crafts Council national celebration of clay which aims to give people across the UK the chance to unleash their inner potter, so Cardiff Pottery Workshops deserve commendation for providing an insight into a tough industry that’s open for anyone.

Bee & Honey

Just off Cowbridge Road, in the heart of Canton, you’ll find Bee & Honey, a café that, on the surface, looks like a quaint place to eat. However, under the surface, Bee & Honey provides some of the best food in Cardiff, as well as acting as a support for other businesses in Cardiff. You’ll only find Bee & Honey goods here, but goods from other Cardiff-based businesses, including Canton Tea Co. and Riverside Sourdough. Additionally, the café has recently staged meditation lessons, diversifying its appeal beyond cuisine. Bee & Honey are an example that businesses in Cardiff, however small, do their best to support their neighbours financially and mindfully, as well as making a pretty banging dish along the way.

Lufkins Coffee

Lufkin Coffee is a little hard to find, located down a small alley near the Co-Op in Pontcanna (where they have the Pipes Beer Festival). It joins a cluster of local, wonderfully small business (Canna Deli, etc.) The owners along with the rest of the staff are always open for conversation, lending to the comfortable and pastoral feel of the entire business. After recently hosting a small ceramics exhibition for Frances Lufkin, a student at Cardiff Met, the business has showed that its small location has a wide reach. However, this is not the reason why this small café is on the list. Lufkin deserves this place, quite simply, because of the quality of its roasted coffee beans and product. It’s not the only the best quality coffee in Cardiff, but it’s also, according to Brian’s Coffee Spot, one of the best roasters in the entire United Kingdom. It may not be flashy, but Lufkin has all that’s needed to succeed as a community coffee shop: excellent coffee, even better conversation, and a cruelty-free product.

Green City Events/Green Squirrel

This one may be cheating (a little bit) as they’re not strictly Canton-based, but they deserve a mention anyway! Green Squirrel, as part of Green City Events, brings together a myriad of different practices underpinned by an environmentally-friendly ethos. Essentially, these events range from Wasteless Kitchens, which involves the cooking of food with no waste, to food foraging, to carpentry and yarn spinning. By bringing together the multiple skills of Cardiff-based professionals and tutors, the events help form links between vastly different businesses in the city. The skilled local tutors teach practical sustainable living skills that benefit people and communities, and bring rural and traditional skills to the heart of Cardiff. Loads more info can be found on the Green Squirrel workshops page, with events that span the entirety of the city. Green Squirrel not only give back to Cardiff communities, but to nature.

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Cardiff events preview, Saturday 19 May: Publish Cardiff, TEDxCanton, The Offline Project Launch

There are three MASSIVE events taking place today in Cardiff for the alternative arts scene – Publish Cardiff (full preview below courtesy of Ben Newman), TEDxCanton which is being organised by our very own Hana, and “friend-of-the-blog” Dan Tyte having a launch party for his new novel, The Offline Project. Hopefully we’ll see you at one of these things!!

TEDXCANTON

Follow @TEDx_Canton for updates throughout the day! You’ve got @HeliaPhoenix doing the social updates, so gawd knows what will pop up on there.

THE OFFLINE PROJECT LAUNCH 

We published an interview with author Dan Tyte yesterday on the site – be sure to pop along to The Offline Project launch party for his new novel at the Transport Club TONIGHT from 7-10pm; plus music from John Mouse, Adwaith and Simon Love and The Old Romantics.

PUBLISH CARDIFF

Now, to the main event – a preview of the wonderful Publish Cardiff event at Little Man Coffee, 11am – 7pm. Take it away, Ben!

Publish Cardiff, NO LIVE SPORTS HERE

The forever hard working Publish Cardiff has arranged another series of talks following the group’s immensely popular events last year. Featuring 1-hour talks by industry experts and social stalwarts BRICKS Magazine, Polyester Zine, Gal-Dem, Cheer Up Luv, amongst others, the catalogue of speaking arrangements hopes to shed a light on magazine culture and the surrounding industry.

At its core, Publish Cardiff is a reaction against the lack of representation in the magazine industry. The group champion alternative education and support methods for creatives outside the London bubble, as well as shedding light on all degrees of societal inequality. The event is also a chance to network, communicate and share a drink or two with like-minded individuals.

The event opens with a talk by Polyester Zine editors Ione Gamble and Gina Tonic, who will discuss zine culture, the representation of marginalised bodies, as well as the feasibility of alternative publishing as a career. This talk is followed by Eliza Hatch, the creator of Cheer Up Luv, who retells the sociological normalisation of street harassment on women, as well as how Cheer Up Luv came to be.

Chief sub-editor of Gal-dem Kuba Shand-Baptiste will then provide an introduction to Gal-dem, as well as contextualising some of the challenges of working in media spaces. The talks themselves will end with Tori West of BRICKS magazine, which will be an unmissable primer on how to pitch, prepare and submit work to publications.

Afterwards, between 17:30 and 19:00, there will be an opportunity to have free drinks and a networking session, with tea and coffee provided throughout the day. Buy tickets for Publish Cardiff, or see a full timetable of the events below:

11:00 Polyester Zine Editors Ione Gamble and Gina Tonic

12:30 Creator of Cheer Up Luv, Eliza Hatch

14:30 Chief sub-editor of Gal-dem, Kuba Shand-Baptiste

16:00 How to Submit to Magazines by Tori West of BRICKS magazine

17:30 – 19:00 FREE drinks and networking session

The event will be taking place at Little Man Coffee, on Bridge Street (you know the place, near the Motorpoint, just opposite St. David’s, where all the cool kids skate).

More information, as well as pricing, can be found on the Publish Cardiff Eventbrite page. The networking session between 17:30 – 19:00 will be free, group and individual event tickets can be bought if you only want to attend one talk.

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Cardiff author Dan Tyte unleashes new novel, The Offline Project

Today we speak to author Dan Tyte about his novel The Offline Project, OUT NOW!

My first novel, Half Plus Seven, was written, in the main, in Cardiff but its story took place on the streets and in the suburbs of an Everycity.  It was probably an unconscious homage to the director John Hughes, who set his films in the made-up town of Shermer, Illinois, but the reality was I felt like the issues of the book could and should resonate with people everywhere; Toronto, Tokyo; that setting a novel in Cardiff could have been a barrier to that.

Those feelings of universality are the same for this new novel, The Offline Project. It’s the story of Gerard, a millennial who moves back home to Cardiff from London. Perennially online and defined by those interactions, his sense of self-worth is inextricably linked to his online persona. Too much internet fries his brain and he leaves Wales and goes off-grid living in a community of former online addicts in the Danish woodland, where the new way of living might be more sinister than it first appears.  These themes and conflicts feel like a very real issue, for me at least, and perhaps a lot of others in society today, coming to terms with how to be good to our brains and bodies after collectively sleepwalking into relying on the internet for almost everything.

Despite the themes being broad-brush, and novel’s one’s location decision, it felt important to me to set the novel in Cardiff. There aren’t many books I can remember reading that have been set here: Dannie Abse’s Ash on a Young Man’s Sleeve, John Williams’ The Cardiff Trilogy, Roald Dahl’s Boy; and only one of them is purely fictional. The city continues to grow in stature and unless its artists are confident enough to use it as the backdrop for stories, why should the rest of the world care?

The Offline Project’s Cardiff is a modern Cardiff, the city of the here and now, looking towards the future but grounded in myth and mysticism. For Gerard, for lots of us, that’s a city of freelance creatives, of Welsh mams, of world class museums and minimum wage jobs, of craft ale bars and intercontinental visitors. A city hurtling towards tomorrow helped by a history of industry and internationalism. I hope you’ll like spending time there.

Dan Tyte’s second novel The Offline Project is out now on Graffeg Books and available from the Graffeg website and from Amazon. He’s on Twitter @dantyte.

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Jannat’s Lucent Dreaming – a new Cardiff-based creative writing magazine

In today’s profile, we meet Jannat Ahmed, founder and editor-in-chief of Lucent Dreaming – a new creative writing magazine coming straight out of Cardiff!

I’m Jannat, founder and editor-in-chief at Lucent Dreaming. The LD team and I have officially just launched our debut issue from Rabble Studio. I’m a 22-year-old MA English Literature graduate from Cardiff University, born and bred in South Wales and ever since I could read, I’ve wanted to write. Enid Blyton, Roald Dahl and J.K. Rowling have been the cornerstones of my imaginative life since I started school and they continue to inform what I do today. I dabbled, about 11-ish years ago when I was in my final year of primary school with a little thing called J Club. It was a club I made up where I asked for the email addresses of anyone who visited our house and sent them a ‘magazine’, i.e. a word document that comprised exclusively of wordart, clipart and rhyming poetry about flowers written by me.

At 10 or 11 years of age I had a club that sent a magazine every month (for only about two months), that also sold stationery I’d bought from Woolworths, and even had its own paperclip collection bought by my dad. Looking back, I think I was ridiculous but onto something. Just over a decade later and it seems I’m kind of doing the same thing but better (I hope!)

Lucent Dreaming is my childhood dream come true: it’s a new independent creative writing magazine publishing beautiful, strange and surreal short stories, poetry and artwork from emerging authors and artists worldwide. Our first issue even has poetry about flowers! This is the story of how it started.

It was during my MA, this time last year, that I happened to be working on a parody creative writing magazine for one of my modules. After having too much fun making parody adverts for Cardiff University’s new revolving doors and Arriva Trains Wales’ delayed transport, I thought it would be a great idea to make a real creative writing magazine. I was talking to my friend Jess—now also one of Lucent Dreaming’s editors—about her experience of trying to get a job in publishing. She told me she’d exhausted her savings going to publishing internships and still didn’t have enough experience to get a job. It was then I asked if she’d be willing to donate her time to my as-yet-unnamed ‘real’ creative writing magazine and she said yes! Jo and Jonas—my two other editors—also, surprisingly, said yes. And so it began.

The idea was put on hold over the summer while I was working on my dissertation but come September it was back on. We had a name and a logo and we launched our website for submissions on Halloween last year. We planned on being an online-only creative writing magazine but that soon changed.

In November last year I applied for the pilot Ymlaen placement and got it! The placement is for six months and gives me desk space and business mentoring at Rabble Studio as a collaboration between Creative Cardiff, Cardiff University’s Enterprise and Start-up Team and Rabble Studio. Since January I’ve been working from Rabble, a coworking space for freelancers, small businesses and remote workers, and it’s been fantastic. I’ve been around freelance writers and designers and a bunch of other wonderful humans who have set up businesses before, worked with printers before and know what it’s like to work in creative industries. Everyone is so friendly, helpful and incredible at what they do; it’s been invaluable to me to be around them.

Working at Rabble has morphed Lucent Dreaming from an online-only to an also-print magazine. Last Saturday saw the launch of our debut issue and we’re so proud of how far it has come in such a short space of time. We sold half our magazine print run as well as our hand-designed notebooks and we can’t wait for issue 2! (We’re currently accepting short story and poetry submissions by the way!)

As far as the future is concerned, we hope to continue LD in print. Our aim is to encourage creativity and to help writers reach publication. However, we’re not just a publisher, we see ourselves as a springboard. We offer feedback on all qualifying submissions so that writers aren’t left in the dark about why their work might be rejected. We give our writers feedback so they have constructive ways to improve for their next submission. And, for everyday creatives, writers and doodlers, we’ve also set up a notebook subscription because we know that creativity rarely concludes with publication in day-to-day life (and it’s the other half of my childhood dream to sell stationery!). Whether or not you’re interested in publishing your work, we want to encourage you to be creative. A haiku, a doodle, a list of important memories—they are all produced from a feeling that cannot always be pinned down, but it’s that beautiful, strange, surreal feeling that we want to inspire both through our magazine and everything else we may create in the future. I hope we never lose sight of that dream!

Visit the Lucent Dreaming site – they’re currently open for submissions and preorders of Issue 2.

Jannat Ahmed is a recent English Literature graduate and expert project-starter. She enjoys anything she is capable of envying and secretly compares LD to Lovegood’s The Quibbler with confessedly more fiction. She is editor-in-chief at Lucent Dreaming.

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Green Man 2018 – final line up announcement! Got your tickets yet?

Our favourite Brecon Beacons based arts extravaganza Green Man Festival is looking REAL FINE this year, with a line up that includes plenty of Cardiff talent (boom) and headliners from ACROSS THE GLOBE. Tickets usually sell out early summer, so make sure you get yours in soon!

New music line up additions today (we’ve highlighted our We Are Cardiff fav picks in bold – in particular we can’t wait to see Bristol gig legend Big Jeff making his Green Man DJ debut …!)

Teenage Fanclub | Whyte Horses | Follakzoid | The Lovely Eggs | Insecure Men | Frankie Cosmos | Eleanor Friedberger | Ari Roar | J. Bernardt | Horsey | Celebrating Bert Jansch | Black Midi | The Cosmic Array | Squid

DJs – High Contrast | Huw Stephens | Tom Ravenscroft | Alfresco Disco | Heavenly Jukebox | Lycra | Dutty Disco | Big Jeff | Fever Club

Chai Wallahs Stage – Afla Sackey & Afrik Bawantu | Agbeko | Amy True | Animal Noise | Animanz | Ben Catley | Berget Lewis | Edd Keene | Friendly Fire | Gringo Ska | Groovelator | Holly Holden y Su Banda | Joncan Kavlakoglu | Kiriki Club | Lazy Habits | Lost Tuesday Society | Monster Ceilidh Band | Samsara | Snazzback | Solana | Soul Grenades | Sounds of the Siren | The Conservatoire Folk Ensemble | Tropical Tea Party feat DJ Hiphoppapotamus | Will Varley | Wrongtom

And in case you need more convincing, have a look at our Green Man video from last year …

Previously confirmed music line up:

The War On Drugs | Fleet Foxes | King Gizzard and the Lizard Wizard |

John Grant | Grizzly Bear | Dirty Projectors | The Brian Jonestown Massacre | Public Service Broadcasting | Anna Calvi | Cate Le Bon | Mount Kimbie | Floating Points (live) | The Black Angels | John Maus | The Lemon Twigs | Joan As Police Woman | Teleman | Kevin Morby | Baxter Dury | Curtis Harding | Tamikrest | Courtney Marie Andrews | Susanne Sundfor | John Talabot | Simian Mobile Disco (live) featuring Deep Throat Choir | Wye Oak | Jane Weaver | Alex Cameron | Phoebe Bridgers | Rolling Blackouts Coastal Fever | Kelly Lee Owens | Bo Ningen | Beak> | Chastity Belt | HMLTD | Sweet Baboo | A Hawk and a Hacksaw | Xylouris White | Lost Horizons | Shannon Lay | Pictish Trail | Marlon Williams | Lucy Dacus | The KVB | Omni | Goat Girl | Duds | Snapped Ankles | Jade Bird | Boy Azooga | Snail Mail | Nubya Garcia | Charles Watson | Ider | Ed Dowie | Haley Heynderickx | Bas Jan | Seamus Fogarty | Juanita Stein | Sacred Paws | The Murlocs | Jim Ghedi | Sorry | Stella Donnelly | Spinning Coin | Group Listening | Haze | Fenne Lily | Adwaith | Accu | Sock | Aadae | Teenage Fanclub | Whyte Horses | Follakzoid | The Lovely Eggs | Insecure Men |

ERMEGERD right?? All of this in addition to the amazing Talking Shop and Last Laugh announcements made earlier this year … Get your tickets and join the annual decamp to the beautiful Brecon Beacons!

Buy Green Man tickets now

Green Man website

Images from last year’s birthday bash!

More We Are Cardiff – Green Man coverage:

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TEDxCanton speakers announced!

As we (very excitedly) announced a few weeks ago, TEDxCanton is happening on 19 May! We’ve been announcing our AMAZING speakers and performers all week on Twitter, but here’s a roundup. The event is sold out, but tickets for the viewing party at Printhaus will be on sale next week!

Lia Moutselou and Becca Clark

Becca and Lia are community food waste trailblazers. Together they run Wasteless Suppers, which bring together local food businesses, food lovers and passionate people to create positive change and reduce food waste.
Lia is a self-taught chef and the director of Lia’s Kitchen, running pop-up food events, cooking classes and social enterprise projects around the world.
Becca is the director of Green City, a community of local green experts who are passionate about sustainable living and the environment, which offers fun, affordable and practical workshops, events and activities.

Follow them: @greencityevents @liaskitchen @moutselia

Stepheni Kays

Stepheni is an integration officer for the Swansea City of Sanctuary project. After leaving her home country in 2008, she was granted asylum and began studying a degree alongside her full-time job. She graduated in 2016, and began a Master’s in human rights shortly after.

Stepheni passionately believes that the effective integration of refugees and asylum seekers can make communities better for everyone, not just for new residents.

Follow her @madamekays

Sabrina Cohen-Hatton

Sabrina is an experimental psychologist and deputy assistant commissioner in the London Fire Brigade. Her unique perspective allowed her to research decision-making in places where most psychologists can’t – actual emergency incidents – from the viewpoint of the operational commander.
Sabrina’s work included fitting helmet-mounted cameras to capture incidents from commanders’ point of view, followed by cognitive debriefs afterwards to analyse their decision-making process. Her findings changed the way that rescuers respond to incidents.

Follow her @sab_cohenhatton / sabrinacohenhatton.com

Matt Callanan

Matt is a former worldwide DJ and music producer turned filmmaker. He is also the founder of kindness project We Make Good Happen.
The project started after meeting Bill Murray in George Clooney’s house (yep), and now he hides £10 notes in public places (#Tenner4Good), encouraging people to use the money for a random act of kindness.

Follow him @matt_4_good / @wemakegoodhappn / mattcallanan.co.uk

John Parker

John is the chair of the London Tree Officers Association, and an arboriculture and landscape manager. He promotes urban forests and the benefits of green spaces, from better social cohesion to improved child development.

Follow the London Tree Officers Association @LTOA33

 

Josh Doughty

Josh is a kora player, which is a 21-string lute-bridge-harp used extensively in West Africa.

He started learning the instrument from age 8, and was spotted by the Master Kora musician, Toumani Diabate. In 2007 Josh was invited to Bamako, the capital of Mali, to study under Toumani in his home.

During this time Toumani became Josh’s teacher, mentor and friend. Josh would spend hours playing Kora with him, improving his skills and immersing himself in Mali culture.

Follow him @joshdoughtykora / joshdoughtykora.co.uk

Jon Vaughan-Davies

Jon is a lifelong magic fan. When a friend invited him to perform his fun blend of psychological illusion at an event in a pub one night, it led to many more pubs and many more nights. From predicting people’s choices to future headlines, he has a keen interest in why we want what we want and how understanding that can help us all to make better and more informed choices.

 

Lorna Prichard

Lorna, who will be hosting TEDxCanton, is a former TV news reporter now focusing on comedy. In the last year she has performed at the Edinburgh Fringe Festival, established her own comedy night ‘Howl’ in Tramshed and started a regular all-female comedy night – ‘Howling Women’ – thought to be the only one outside of London.

She’s also bilingual and also technically a world record holder having taken part in a 96-hour comedy marathon in Banbury.

Follow her @lorna_corner / @howlcomedy1

You can read more about the team of volunteers behind the organisation of TEDxCanton here!

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Cardiff Animation Festival 2018 – preview

Chapter Arts Centre are doing something special for the Cardiff community once again by hosting this year’s Cardiff Animation Festival, right after the end of their successful art festival Experimentica. The festival, which looks to cover all types of animation from student pieces to Isle of Dogs, will take place between April 19 – 22nd at Chapter. A full schedule has already been released, detailing a bunch of fun stuff, including a live Q&A workshop with Isle of Dogs animators, over 90 short films, workshops, and industry sessions for those trying to break into the competitive world of animation.

The multi-day festival appears to have lots to offer everyone, regardless of animation ability. The first day, known as the “Industry Day”, is more catered towards those who have a professional interest in animation and the surrounding industry. Passes for the Industry Day are available, with sessions including Afternoon Tea with the Children’s Commissioners, giving delegates the rare opportunity to learn how to pitch to TV networks and how to market independent short-form content, as well as a chance to sign up for a one-to-one sessions. The Industry Day will kick off with a keynote from Bob Ayres, the head of TrueTube, which received a record-breaking seven awards nominations at the most recent BAFTA Children’s Awards. Panels also include a talk on Licensing and Distribution, featuring speakers such as Alison Taylor (Aardman Rights) and Helen Howells (HoHo Entertainment). The rest of the festival will take a slightly less serious tone for hobbyists and watchers, but the first day is incredibly useful for those with even a cursory knowledge of the animation sector.

Friday will celebrate new Welsh stop-motion animated feature Chuck Steel: Night Of The Trampires. Director Mike Mort, Art Director Bridget Phelan, Executive Producer Randhir Singh, and animator Laura Tofarides will give an exciting look behind the scenes, as well as a chance to see a few deleted scenes. The film is almost the centrepiece of the entire festival, as it will also be the basis of a four-day exhibition based on the film’s sets, props, puppets, etc.

Masterclasses will also be available, including one from Cartoon Saloon’s Mark Mullery who will treat audiences to behind the scenes of Oscar-nominated feature film The Breadwinner, a stunning animated drama about a little girl living under Taliban rule. The film will also be screened ahead of its UK release, which is a nice touch.

Another highlight appears to be the workshop by internationally-renowned artist Jac Saorsa, who will lead a Life Drawing for Animators workshop. The workshop is tailored to hone drawing skills crucial to animation. Suitable for animators, students, hobbyists and anyone looking to develop their drawing skills for animation.

The major highlight for We Are Cardiff who are, self-admittedly, a little too dog-obsessed, is the Isle of Dogs feature. For those who haven’t seen it yet (WHY HAVEN’T YOU SEEN IT?), the film is directed and written by Wes Anderson, and features some gloriously detailed stop-motion of talking dogs. A workshop based around the film, involving Lead Animator Kim Kong, Model Maker Josh Flynn, and Kerry Dyer, head of the Isle of Dogs Puppet Hospital, will be put on show, detailing some props, methods, and insights into the making of the film.

The festival will also be screening 99 short films, which will be assessed by The Jury, who are tasked with selecting the winners of the animation programme from films on display. The Jury, who are named rather ominously, will be made up of independent director Rhiannon Evans (Heartstrings, Fulfilament), Manchester Animation Festival producer Jen Hall, author and Skwigly Animation Magazine Managing Director Ben Mitchell, Aardman animation director Will Becher, and independent producer, Director of Animation UK, and newly-appointed director of the British Animation Awards, Helen Brunsdon.

Sadly, all passes excluding the Industry Day pass have now sold out, but there are tickets for sale on the Cardiff Animation Festival website for individual events. Further details, including the timetable for the entire festival, can be found there, too.

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Record Store Day 2018 in Cardiff – events and happenings!

How is it already time for Record Store Day again?? If you’re looking to go join the queues or catch some of your favourite musical heroes in town, we’ve got the skinny on all the events – from Lauren Laverne broadcasting her BBC 6Music show, to Gruff Rhys and Charlotte Church djing! Don’t forget to check the full list of RSD 2018 releases

Get out and about and support your local independent music scene, this Saturday 21 April, 2018!

Record Store Day 2018 at Spillers Records

9am – 6pm, Spillers Records, Morgan Arcade

The annual celebration of independent record shops and all things vinyl is happening on Saturday the 21st of April – and alongside the armfuls of exclusive releases, Spillers  will be hosting their usual range of DJs and live music to keep you entertained throughout the day – and this year, they’ve got SPECIAL GUEST Lauren Laverne broadcasting her BBC 6 Music show from the store! She’ll be joined by guests Gwenno and Gruff Rhys.

And Lauren’s excited about her visit to Cardiff! She says: “I love taking my show on the road for Record Store Day, but to be going to Spillers in Cardiff – the world’s oldest record store – this year is something really special. We’ll be chatting to the team there and will be joined by Gwenno and Gruff Rhys, with music from Haley. It’s going to be a fantastic show and I’m so looking forward to be heading to Wales’ capital city!”

A Record Store Party That’s Not A Record Store Party

9am – 6pm at RIP Outpost, in the Castle Emporium (Womanby Street)

Come and join us at The Castle Emporium for a right old knees up to celebrate all things vinyl! Come join the Official-Unofficial Record Store Day 2018 All-Dayer, where there will be :

  • *BRUNCH SPECIAL
  • *RIVAL BREWERY BOTTLE BAR
  • *BANGIN TUNES FROM CRUSH DJS / DRUNK YOGA / ROTARY CLUB / BAN LAB
  • *DEALS DEALS DEALS
  • *PRIZES PRIZES PRIZES
  • *HAIRY BABES + SLIMEY HUNKS
  • *PUPPY PARTY PETTING ZOO
  • *DISCOUNT CROC SHOP
  • *POSI PARTY VIBES
  • *THE SUPER LIMITED UNOFFICIAL RSD LIST

NO DIVING IN THE SHALLOW END!

Record Store Day at Kellys Records

9am- 6pm, Kellys Records in Cardiff Indoor Market

A Cardiff institution, Kellys has all your second-hand music needs – and a great line up of DJs on the day!

DJs on rotation at Kellys through the day:

  • 9-11am – Kellys staff
  • 11-12pm – Sarah Sweeney
  • 12-1pm – Don Leisure
  • 1-2pm – Gruff Rhys
  • 2-3pm – Ani Glass
  • 3-4pm – Charlotte Church & Esther
  • 4-5pm – Boy Azooga

Record Store Day After Party hosted by Vinyl Cruisers and Spillers Records

6-11pm, The Andrew Buchan Bar, Albany Road

Vinyl Cruisers and Spillers Records present The Record Store Day After Party! Besides the normal crew there will be Spillers regulars manning the decks. Expect some exclusive tunes for your delight!

If you’re out and about over Record Store Day 2018 be sure to tag us in your pics and we’ll reshare the best! Enjoy! #shoplocal #independentcardiff.

Also shout out to woke Record Store Day sponsor, Friels Cider! Supporting independent music! Give them a big up and tag em in, #FrielsRSD.

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Polly Thompson talks Cardiff, and a new kind of living

Our reporter Jenny Jones speaks to Cardiff resident Polly Thompson today, about her move from the city to London in the ’90s – and back again last year, and the new kind of living she’s found here.

I’m that common person, who grew up in Cardiff through the bleak and grey 80s and then couldn’t wait to leave. In fact I found out about We Are Cardiff when I read James’ piece ‘Cardiff – it’s where you’re between’ and couldn’t believe how similar our stories were, almost exact parallels. I came across it by accident, just lost in endless scrolling one night on the internet, maybe I saw a link to it on Twitter. James’ experience of wanting to escape ’80s Cardiff totally resonated with me.

I was living in London at the time I read it – a couple of years ago. I was jobless, living for cheap in an old people’s home near Tottenham that was up for sale (I was part of one of those guardian schemes that stop squatters moving in by letting legitimate tenants live there for peppercorn rent). It was a disgusting place, with damp on all the walls, plasterwork that crumbled to the touch and squelching carpet over soaked underlay in every room, including the kitchens and bathrooms. But it was cheap. Really cheap. And in London, cheap housing is not to be sniffed at.

I left Cardiff when I was 16. I couldn’t wait to leave. There’s a big age gap between me and my older brother and sister, so they were already long gone from home when I was growing up, flown the coop, abandoned me in the nest. My was already in his 60s when I was born so my only real memories of him feature his disappearance into dementia, which started almost the second I was born.

By the time I arrived on earth, my sister had married and moved to Caerphilly, with children of her own just a few years younger than me (I’m nearly 16 years younger than her). My brother had slipped away and was living in some off-grid community in north Wales. Neither were around to watch the end of dad’s life. They barely visited, and didn’t register in my young mind as siblings. I saw how hard it was for my mum, working part time, trying to bring me up, and care for my father who was getting more and more confused. He almost never knew who I was, and so we had a strange relationship – he was a dad but also a not-dad, just some crazy old man who lived in the house.

I hated school. I don’t know how it’s possible to enjoy or engage when your home life is so mad. I felt isolated all the time. We lived in a small two bed house in Roath. I think it was somewhere around Alfred Street, but I’ve never been able to find its exact location. All I remember are heavy velvet drapes and dark wooden panels that were so fashionable in houses for a while.

My dad died when I was ten and my mum when I was thirteen, and so I ended up moving in with my sister in her new-build-box-house. I remember being young as pointing the TV aerial towards Bristol so we could watch Channel 4 instead of S4C – I never learned to speak Welsh, and besides that I felt like being Welsh was a strait jacket I couldn’t escape. It didn’t feel cool, it felt parochial, not something to be proud of. I wanted desperately to move where things were happening, to somewhere so big I could get lost within it and forget about all the crap things I’d experienced as a child. I wanted adventure and neon and to stay up all night. And none of those things felt possible in Cardiff in the 1980s. I would have preferred New York, but London was a pretty good second on the list.

The second I was old enough to leave, I did. I had barely any money but my sister surprised me by paying for my coach ticket and then handing me an envelope with five hundred pounds in it. She’d been saving up for me since I’d started living there. I’d told her what my plan was when I moved in, and apparently she had believed me.

I won’t bore you with the details of what happened in London, but here’s the short version. I went to art college, made good friends. Had a few boyfriends and one girlfriend. Fell in love with one of the boyfriends. I mostly lived around south London, as that’s where was cheapest, around Peckham and Deptford. To say I lived thriftily is an understatement – but I was where I wanted to be, and that was the most important thing.

I learned to turn off my Cardiff accent. I very deliberately cut ties to home. I told people I was from the West Country if they asked. I never wanted to come back to Wales. Never.

Fast forward 20 years. I’m divorced now, and after a couple of years where I actually had money, I’m broke again after some terrible decisions – very bad timing in buying and selling our married flat, which ended up with both of us divorced, in negative equity, having to bear the debt of fifteen grand each, which I am still paying off (although I’m almost completely debt free). I was technically homeless for a bit, a couple of months sofa surfing with friends until I managed to get myself back on my feet (and it really was sofa surfing – no one I know in London has a spare room). I spend most of my time drawing and illustrating, which is what I love and prefer to do but it’s not a steady job and so I do days of supply teaching around it.

It was the day I visited the Haringey food bank that I realised the cost of living in London was breaking me. Most of my friends were happily married or “consciously coupling” with children, and had moved out into north west London. Some of them are struggling too – squashed together in one bedroom flats, carrying their prams up and down the stairs. But they’re together. There’s probably little that’s as depressing as getting divorced when you’re in your early 30s. It should be the decade you’re making babies and growing a family and having widening waistlines but it doesn’t matter because you’re all together and that’s what counts.

Instead I was edging closer to 40 and worried about making rent, I was worried about being able to eat, what was I doing with my life. I was swinging in the other direction from almost everyone I knew – I was single, working jobs I hated to pay for £800 a month for a room in a communal house full of twenty somethings, with a shared bathroom that was always covered in other people’s hair, and a kitchen I’d stopped storing my food in as people openly helped themselves to whatever they wanted.

I was drinking a lot, alone. One of those days I was in the kitchen bitching about the rent – which had just been hiked by £50 a month for each of us – when my Australian housemate told me a couple of them were thinking of moving out and joining a guardianship scheme, where you get moved into empty properties to stop squatters and pay next to nothing. Did I fancy joining them?

I did, and so I did, and for the next year the worries about money eased up a little. But it’s a very unstable existence. You can be moved on from the place you’re staying whenever the landlord sells it (or decides to remove you). The places are often in a state, they may have been empty already for years, and it takes a lot to renovate a place that’s like this.

I was lucky – one of my housemates was a set designer, and very handy at building and repairing things. But I had just moved into my fourth place in 18 months when it hit me – I couldn’t keep living like this. I was exhausted, I was worried about money all the time. I was still drinking, all the time. It is a sobering (no pun intended) realisation to be a female that’s nearly 40, divorced, single, and living a life that is miserably itinerate.

I had come across James’ piece about Cardiff shortly after moving into the Tottenham residential home. It was a strange, squat building – seventeen rooms set across this weird sprawling building that only had one floor. I ended up living there for nearly eight months, during which time I started seeing a counsellor through a scheme that was training students for a nearby university, which made it a lot cheaper. And I tried to make a plan for myself.

During that time I started talking to my sister again on a more regular basis. I’m not sure why. We fell out of touch after I moved to London because I just wanted to eradicate the past from existence – it was easier to have no contact than try and renegotiate all the things that had happened every time I spoke to her. I think she understood. My sister sent me money every year after I left her house, up until I was 25 – always at Christmas, always £50. She stopped sending money the year I got married, which I told her about in a letter … after the ceremony had happened. I didn’t invite her to the wedding, which I feel guilty about to this day. She still sent me a card every Christmas, even then. I never sent her anything. I am objectively a terrible, terrible sister.

Anyway, during that time, I started thinking about moving out of London. From the second I arrived there I had never wanted to leave. But over the course of 24 years, things can change, right? I wasn’t the same person I had been when I arrived there. Sensing I was perhaps open to options, my sister suggested I come back to Cardiff to visit her for a weekend, for us maybe to spend some time together and for me to get some distance from London. I hadn’t been back for years – not since the late ’90s.

There was some big football thing on that weekend, she said, so it might be a bit busy in town, but she was looking forward to seeing me and showing me around. She booked my train tickets and emailed them to me (I’ll never really ever be able to pay her back for everything she’s ever given me, in terms of opportunity and opening doors for me).

I apprehensively boarded the train. It was the start of June, and I arrived in Cardiff to witness the hundreds of thousands of people creating a hot, crazy carnival in the city for the Champions League Final.

I think it’s fair to say that Cardiff astonished me. I’m sure the weather helped that weekend – scorching hot sunshine and blue skies – but it was more the scale of everything. That enormous stadium right in the heart of the city centre. The huge St David’s 2 shopping centre. All those high rises that seem to be exploding out of the earth all around. The Wales Millennium Centre. The BAY – and the barrage. It was a million miles away from the Cardiff I remembered – all squat buildings and bad weather and aerials pointed towards Bristol and verruca socks at the Empire Pool.

There is something tangible in memory that is beyond anything you can explain to someone about a place, however hard you try to. It’s a feeling, it’s colours, it’s a weight. Cardiff was grey and brown in my memories, and heavy, like a wool jumper soaked in cold rain. This Cardiff was somewhere entirely new, with bars and clubs and people with dyed hair, all dressed up, and a circus, and opera, and galleries. It was like the Cardiff I remembered was an entirely different place. While we walked around the stadium I struggled to remember how it had looked before with Empire pool there, even though I used to go swimming in it nearly every week.

On the Saturday of my visiting weekend we went down into the Bay, where I marvelled at the Millennium Centre, the Senedd. I don’t really remember going into Cardiff Bay as a child – it wasn’t the sort of place you’d go for a day out, like it is now. My only memory is driving through it once when I was really young … and my mum locking the car doors.

And now there were thousands of people – families, tourists, everybody – wandering around, eating ice creams. There was music blaring. We bought pints from some outdoor bar and walked around, people watching, place watching. I have never really been into sports, but Champions League was a really impressive event.

When the actual match was on we walked back through town to my sister’s house. She lives in Canton now, she has done for years – on a small side street off Cowbridge Road. It’s very old school – she knows her neighbours – everyone knows everyone on that street. Next door to her is a young family, who she sometimes babysits for in exchange for them looking after her dog. She said she had told them all about me, that I was coming to stay, and that we hadn’t seen each other in nearly 20 years. At first I found it a bit alarming, even intrusive that she would share information like that with total strangers – they’re just neighbours. My sister laughed at me when I said that to her. “I’ve spent more time with them than I ever have with you!”.

It wasn’t that that made me decide to move back, although it was a part of it. We got on better than I imagined we would. We’re quite similar, although I never would have been able to see it or admit it when I was 16. While at her house that night, we put on some Hitchcock films, ate popcorn and I idly checked rental prices in Cardiff. Just to check. If you’ve ever compared rental prices in London to Cardiff, you’ll probably be able to imagine what comes next.

I found a nice room in a shared house in Adamsdown, really near the city centre, sharing with three other girls – two Spanish girls studying postgrads at Cardiff uni and one girl from Porth who was a hairdresser. My sister persuaded me to send them a message – might as well go and have a look while you’re here, right? So I wrote some long rambling message to them on Gumtree about my situation in London, and how I probably wasn’t going to move in but would like to have a look … Sofia messaged me back and told me to come over anyway. I took the bus over there, and from the second I stepped into the house, something clicked. We had a glass of wine, and I ended up staying for dinner.

But I couldn’t do it … it seemed too drastic, too big a step. I went back to London, but within two months the management agency were in touch. The place had been sold, and was going to be knocked down so flats could be built there. We had to move. Again.

I packed up my meagre belongings – the ones that weren’t already in storage from the divorce – hired a van, and moved to Cardiff.

Unfortunately the room in Adamsdown was taken so I ended up in my sister’s spare room until Christmas, when Sofia messaged me and told me their new room mate was moving out – she was Greek and had decided eventually that Brexit would make it impossible for her to stay, and was going back to Greece. I moved into her room on New Year’s Day, and I’ve been in that house since. It feels like a whole new life, like it did when I first moved to London.

I didn’t think it would be possible to move somewhere, aged 40, and make new friends, and feel at home. It doesn’t feel like moving ‘back home’ in the sense that Cardiff never felt like home to me before. But I was so desperate to escape when I was 16, that coloured my view of everything. It’s also possible that Cardiff was fine back then. I just couldn’t see it.

Much of what remains from my childhood in Cardiff are photos my sister has now, that seem weirdly over-saturated technicolour compared with my memories. There are hardly any photos of my brother and sister, but my sister doesn’t care. She’s the archivist for our weird disintegrated family now, our historian, and she’s taken good care of these memories for me, when I probably would have burned them if I’d known they existed.

I’m glad they still exist. Me, aged about four, in some bizarre red woollen jumper that has  ‘cute’ repeatedly emblazoned across it (either to reinforce the message or set the record straight in case you saw me and thought I looked hideous), lying on a blanket in the flower gardens in Roath. This would be around 1980-something, the early 80s though, maybe ’82 or ’83. My dad has a ridiculous tash and I can’t even really describe what mum is wearing, she looks like a cross between Joan Collins and someone ready to dance around the Maypole. Other photos are from the fountains outside City Hall, me in a white dress covered in grass stains and mud, carrying water from the fountains over to some flowers I saw scorched and dying in a nearby flower bed. It is the sort of hopeless endeavour I’m attracted to that probably explains most of my relationships and the major choices I’ve made in my life.

Apart from now. This move feels a bit different. I hope I’ve approached it in a slightly less manic way. And I like Cardiff. It feels busy and buzzing. I’m impressed with Cardiff’s creative scene. There are so many co-working spaces and meet-ups and exhibitions and things going on, it’s been a very quick process to find out what’s going on and meet other illustrators, something that felt hard and intimidating in London (and often included an hour Tube ride to the other side of the city). It’s hard to describe the difference – in London there’s so much more going on, you do feel part of this huge machine – but then it can feel inaccessible, because you don’t know the right people, or that all the fun is happening somewhere else.

It’s still such early days of being back in Cardiff, I’m not sure what the future holds or whether I’ll stay here permanently. And I’m not saying there’s nothing wrong with living here – already I can see problems with inner city traffic, parking, public transport – especially compared to London.

But I’ve managed to pick up work here and it’s easier to walk or cycle to work in Cardiff then it was in London. Well it’s closer distances, although the roads could do with actual cycle lanes. And less potholes. But for the moment, I’ll take those.

Polly Thompson is an illustrator and teacher who lives in Adamsdown. Polly’s story was told to Jenny Jones. Her name was changed for this article, at her request.

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Global Gardens needs your vote!

Global Gardens, a wonderful Cardiff project that supports intercultural exchange through gardening, cooking and eating, is one of five Welsh projects in the running for a share of up to £150,000 of funding.

But they need your vote! Now in its 13th year, the Big Lottery Fund, ITV Wales and The National Lottery are teaming up to give the public a chance to decide how National Lottery funding should be put to good use in their local area.

The Global Gardens Project runs weekly garden sessions at the allotment site and monthly suppers at the Embassy Café in Cardiff. If successful, this funding will help Global Gardens Project to develop the gardening and cooking activities offered and facilities on site. This includes development of a small kitchen so that dishes from the garden can be cooked on site. Their aim is to make the site more welcoming and accessible to people.  

Please take a minute to vote for this lovely project at www.thepeoplesprojects.org.uk.

Fancy getting involved with their work?

The Garden also won funding from Grow Wild to to deliver a series of practical workshops and identification walks, with the aim of inspiring and educating a future generation of seed-savers and fungi enthusiasts.

The Seeds and Spores Project will start on 21 April (10.30am-4.30pm) at the Global Gardens site, with a workshop on outdoor fungi cultivation with fungi enthusiast Rich Wright.

In June, Annwen Jones (Rhizome Clinic) will be leading a workshop on a range of healing native plants found. They will also be hosting a seed-saving workshop with Green City.
There will also be opportunities to develop identification skills later this year-Rich Wright (Feed Bristol) will be leading a fungi identification walk, and Julian Woodman (Glamorgan Botanical Group) will lead a walk on native plants in the local area.

International fungi expert Prof Lynne Body will talk about the good, the bad and the ugly (in fungi terms).

The workshops and walks are free but places are limited so book a place to avoid disappointment.

Throughout the project they will be creating a zine and various artwork, and the project will culminate with an exhibition in the Global Gardens Greenhouse. So, if you are an artist who would like to get involved, they also want to hear from you!

To find out more and keep up to date with activities, follow the Global Gardens Facebook page: https://www.facebook.com/globalgardensproject/

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Cardiff haze pop trio XYandO announce Big Top residency!

To support the release of their new single ‘Shades of You’ on May 4 – and in celebration of surpassing 32 MILLION STREAMS on Spotify alone – Cardiff haze poppers XY&O have announced a spring residency of live shows at The Big Top!

Entry to all shows is FREE, and each gig features support from different artists (including Safari Gold, Jack Ellis, Sønder Choir and rising stars Hvnter and The Dead Method).

WATCH: XY&O – Low Tide

XY&O’s Big Top residency shows are:

  • April 19th: XY&O + Safari Gold
  • May 4th: XY&O + Jack Ellis + Blue Honey DJ Set [single launch show]
  • May 17th: XY&O + Sønder Choir [semi acoustic show]
  • June 1st: XY&O + Hvnter + The Dead Method [presented in association with the Forte&Project]

We caught up Skip, Nick and Tudor for a mini interview before their residency kicks off!

Q. Where and how did the band form? Introduce all the members and maybe tell us a bit about your musical influences

Skip. We met in Cardiff, I was at University there. Me and Tudor crossed paths down at a little studio in Cardiff Bay and almost immediately decided that we should write some songs together. Our tastes are styles when it came to writing where similar, but also different enough so that we could spin off each other. He yinged, I yanged.

I knew Nick because I was recording and producing some tracks for a band he was in at the time, he was only about 16/17 and had an amazingly original style of playing guitar and writing even then. I thought it would be interesting to rope him in and see how his musicality fitted with the songs me and Tude had started.

My musical tastes are pretty broad. I can usually find something I like about a track or genre. Some of my biggest influences would be artists like Prince, John Martyn The Cure, Sting, stuff my Dad was listening too as I grew up. When I hit early teens and started finding my own music, then it was all about Jimmy Eat World, Alkaline Trio and Blink 182 for a couple of years. I like heavy music, soft music and everything in between. Atreyu to Arianna Grande.

Nick. My influences constantly change, at the minute I’m listening to a lot of electronic soul type stuff as well as artists such as Mt. Joy and Jordan Mackampa.

Tudor. My musical influences are pretty broad and always changing. I love haunting and spacey music like Daughter, RY X and Sigur Ros. I’m also a massive Coldplay fan (saw them in Cardiff for the first time not so long ago and it only confirmed my obsession). I’m currently listening to a lot of traditional Colombian music (probably due to watching all of Narcos on Netflix in three days).

Q. Where are you all from originally? How did you end up in Cardiff?

Skip. I’m originally from the valleys, a little town called Abercarn. I came to Cardiff University though so lived in the city for 3/4 years at that time.

Tudor is from Barry and Nick from Whitchurch so they’re both Cardiff boys.

Q. What are your musical memories from being younger? What made you all decide to get into making music?

Skip. Most of my musical memories just revolve around listening to it. I sang in school and stuff like that but the most vivid memories for the first times I heard certain artists. I remember listening to REM, Led Zeppelin and Sting CDs in the car with my parents. I remember the first time I heard Youth & Young Manhood by Kings of Leon and amazing records like that. I used to sing and make up songs as a kid, and I guess I just never really stopped…

Tudor. Family BBQs that went late into the night with Bob Marley albums being played back to back. I’ve always been obsessed with how music makes people feel and I suppose I wanted to be a part of that process.

Nick. Listening to Jimi Hendrix in my dad’s car was a big one, I remember being pretty mind blown that those kinds of sounds existed (especially the solos in All Along the Watchtower). I think it’s that curiosity that got me into music

Q. What are your favourite music- related spots around Cardiff – venues / shops etc?

Tudor. We’re big fans of The Full Moon, Clwb Ifor Bach, Womanby Street as a whole really. Gwdihw is a pretty cool place and The Big Top of course. That’s a great venue for intimate gigs.

We’re also looking for a New York Deli sponsorship so will give them a shout out too!

Skip. Also, Bomber’s Deli…un-related to music, but if you’re in Cardiff and it’s lunch time then you need to check that place out.

Q. Tell us about the Ten Feet Tall/Big Top residency

It’s going to be a chance for us to experiment with all of our new lights, equipment and music. Our live show has evolved massively and we’re keen to show it to people in an intimate setting. We’re using the gigs to try out new songs, experiment with arrangements and just generally play some fun local shows because we haven’t really played in the city that much. We’ve made all the gigs free entry because we’d rather people just come and enjoy, critique or just listen to our new music

Q. What’s been the best gig you’ve played to date?

We actually played at Glastonbury 2016 on the BBC Introducing Stage. It was obviously pretty amazing so that always ranks highly. It was only out 10th gig as a band so very strange and looking back on it, it almost feels like a different band. Our live set up then was very different to what it is now. We played an amazing gig at The Phoenix in Exeter in the run-up to Glastonbury. It was a BBC show at a big sold out theater and the crowd were amazingly receptive to us.

Q. What are your plans and hopes for the future?

Our new single ‘Shades of You’ is scheduled to come out on May 4th so we’re excited for that. We’re shooting the music video for it next week actually.
We’ve just been picked up by the live agents Primary Talent so we’re keen to get out playing live much more. We’re hoping to use the residency to fine tune our live set too.

Tudor. We want to go over to the US and play for all the Americans that have been streaming our music for the last two years!

XY&O is the creative amalgamation of songwriters Skip Curtis, Nick Kelly and Tudor Davies.

It began in early 2015 – Skip (from the Valleys) and Tudor (from Cardiff) began writing music and songs with the intention of pitching them to other artists to use. Skip quickly roped in another Cardiff native Nick Kelly in hopes of bringing another dimension to the music. After posting some early demos online under the moniker ‘XY&O’ the trio started seeing their play count rise. They started receiving airplay on US Radio stations as well as gig offers from US promoters, some of whom assumed the band were from Cardiff, San Diego.

Early on, the boys wrote what would become ‘Low Tide’ – bringing with it the genesis of their unique style, coined by Skip as haze pop. ‘Low Tide’ was self-released and went straight into Spotify’s Global Viral Chart at number 7, reaching an audience worldwide, but was particularly well received in the US. The track has since gone on to accumulate over 20 million streams. The trio gained huge popularity on all online platforms, it was at this point the three had discovered that XY&O had somewhat unintentionally become a band.

The band slowed things down the second half of 2016 and early 2017, allowing Nick to finish his final year studies at University but have now re-focused their efforts into their live show and have recently been taken on by live agents Primary Talent. The boy’s story was picked up by the Wales Online in late 2017 which led to them being featured live on the ITV News at 6pm talking about their unusual story of being a little known Welsh band with an audience in the USA.

They hope to expand their live following over 2018 as well as release plenty of new music. New single ‘Shades of You’ is set for release on May 4th, 2018.

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A blog about Cardiff, its people, and the alternative arts and cultural scene!