Tag Archives: cardiff

Fabulous Beyond – a new Cardiff podcast

Looking for something a bit different to listen to? We recommend a new Cardiff-based podcast from local boylesque star, Ernie Sparkles!

Fabulous Beyond is a new fortnightly chat show podcast by Ernie Sparkles. Each episode features a different guest in conversation with Ernie as they discuss the concept of Fabulous and what the word means to them.

The project was launched in June with the aim to compile and document research by Ernie. “I have been fascinated with the concept of Fabulousness for a number of years, since finding out someone had referred to me as Fabulous,” he says. “It made me question – What does fabulous even mean?! I figured capturing discussions with different people might help me to find the answers. I figured these conversations would actually make quite interesting podcasts! The conversations so far have been really interesting – we’ve talked about identity, gender, LGBTQ issues, Queer culture, the royal family, mental health and Drag Queens!”

The podcast ‘Fabulous Beyond’ is available for download on iTunes or direct from the Fabulous Beyond website. Please listen in, review, subscribe and share the word and help to get Fabulous Beyond beyond fabulous! Check us out at @fabulousbeyond

Ernie Sparkles is a costume designer and cabaret performer/producer based in Cardiff.  Find him on Ernie Sparkles Facebook or Twitter @Ernie_Sparkles

See also:

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Rhithganfyddiad: the art and poetry project that maps Cardiff like never before

We spotted these gorgeous illustrations of Cardiff a few months back and decided to investigate who was behind them and their accompanying poetry: meet Efa Lois and Morgan Owen! 

Gwelsom ni’r darluniadau hyfryd hyn hyn o Gaerdydd rhai misoedd yn ôl a phenderfynu ymchwilio i bwy oedd wedi’u creu yn ogystal â’r barddoniaeth sy’n cydfynd â hwy. Dyma gyflwyno Efa Lois a Morgan Owen!

Rhithganfyddiad is a collaborative project between Morgan Owen, a young poet and MA student at Cardiff University, and Efa Lois, an illustrator and Architectural Assistant currently based in Cardiff. They told us:

“We started Rhithganfyddiad because we wanted to document the city as it currently is. Cities are constantly evolving, especially Cardiff, and we hoped to capture what the city is currently like, whilst reflecting on its past.

The end result is a poem and an illustration – a chronicle of each place.”

Mae Rhithganfyddiad yn brosiect ar y cyd rhwng Morgan Owen, bardd ifanc a myfyriwr MA ym Mhrifysgol Caerdydd, ac Efa Lois, sy’n arlunydd ac yn Gynorthwyydd Pensaernïol. Dywedodd Morgan ac Efa wrthom:

“Dechreuodd Rhithganfyddiad am ein bod am adlewyrchu’r ddinas fel y mae hi ar hyn o bryd. Mae dinasoedd yn datblygu drwy’r amser, yn enwedig Caerdydd, ac rydym am ddal naws y ddinas fel ag y mae hi, tra’n ystyried ei gorffennol.  Cynnyrch ein hymwneud â’r gwahanol ardaloedd yr ydym yn ymweld â nhw yw cerdd a darlun.”

They are gradually filling in their map of Cardiff with their gorgeous work – we can’t wait to see the full set!

Maent yn raddol yn llenwi eu map o Gaerdydd gyda’u gwaith hyfryd – ‘da ni’n methu ag aros i weld y casgliad yn ei gyfanrwydd!

Here’s a selection of their images and poetry- you can see more of their work on their website, or in store at Cant a Mil Vintage on Whitchurch Road. You can also buy prints online.

Dyma ddetholiad o’u darluniadau a’u barddoniaeth – gallwch weld mwy o’u gwaith ar eu gwefan, neu yn siop Cant a Mil Vintage ar Heol yr Eglwys Newydd. Gallwch hefyd brynu printiau arlein.

Heol y Gadeirlan | Cathedral Road

Mae’r hewl hon yn bont annisgwyl
o’r canol i’r cyrion,
un stryd sy’n rhychwantu
dinas benbwygilydd.

O unpen i’r llall mae bywyd
yn arafu a’r ddinas
yn ymbentrefoli
nes dy fod mewn byr o dro

yn bell bell o’r dwndwr
heb ymgydnabod â’r rhyngdir.

Plasnewydd

Cydgymysgwn – nid goddef
ond parchu gwead
ein cydblethiad;
ymhyfrydwn yn y cymhlethdod
cain lle gwêl
y culion ddryswch.

Treganna | CantonMewn dinas o’r iawn ryw mae’r
strydoedd yn gyfrodedd
heb arwain at unlle’n benodol.
Dryswch dymunol yw ei nod amgen,
ei chyfiawnhad a’i gogoniant.
Mae’r hewlydd oll yn rhan o’r cyfanwaith,
a phob un, eto i gyd, yn torsythu
yn ei hannibyniaeth.
Y daith ei hun yw’r unig resymeg.
Wrth hyntio’n ymwybodol o’r cymysgedd
awn i wledydd dirifedi
heb adael am eiliad ein dinas ni.

Cathays

Ni fu realiti erioed mor hurt
â tharfu ar y cyfeddach
a’r delfrydu, ac amheuthun 
yw tario yn y tir neb 
rhwng rhyddid a chyfrifoldeb.

Dychweli’n ddoethach
yn ddieithryn. Fe weli,
a thithau’n lwcus, fod bellach
sylwedd am yr hen haniaethau
a’r breuddwydion liw dydd.

Fe weli, a thithau’n eithriad,
nad ildiaist i’r sadrwydd
mae’r lle hwn yn brotest yn ei erbyn.

Heol y Fuwch Goch | Womanby St

Fin nos yn feddw nadredda
gwyntoedd ffrwythlonder a phydredd
i gyfeiliant diotwyr a gwylanod.
Yn ddeuparth bywyd ac unparth marwolaeth,  
cerdda ffantasmagoria y strydoedd
sydd bob un yn arwain at ruddin y gân
a’r golau. Annedd frwysg rhwng gwyll
a gwawr yw’r noswaith lân sy’n darfod yn yr oriau mân.

Llandaf | Llandaff

Yng ngogysgod y ddinas
mae hendref greiriog
sy’n edliw i’r concrit
ei lesgedd.

Ar ei ynys grebachlyd
mae’n mesur y llanw
di-drai sy’n difa
gwreiddiau.

Lle cedwid gynt rin
rhyw genedl a gwagle
i freuddwydio ceir heddiw
grawcwellt yn ymborth.

Eilbeth yw iaith a llên
a myfyrdodau
lle mae arian
yn llywio meddyliau.

Deled y byd i weld
tomen o garegos
pan nad yw llwydni
Llanbobman yn ddigon.

Y Sblot | Splott

Dur yw iaith absenoldeb;
dur sy’n rhydu yn y dociau dof
yw pont dwy genhedlaeth;
dur sy’n fy nghludo i gartref
na ddychwelaf iddo eto.

Dau le a unwyd gan un enw
a dynghedwyd i gyd-ddioddef –
dau le sy’n gorwedd
dan lwch hen luniau
sy’n stwyrian wedi sôn am Ddowlais.

Dowlais yw enw colled
yn y blaendir a’r ddinas
fel ei gilydd lle mae’r dur
yn rhydu o hyd.

Mynydd Bychan | The Heath

Nid angof fydd y fan hon
sydd rhwng dau le o hyd –
tramwyfa aml daith,
ond cyrchfan anfynych.

Pan fo’r cyrion yn crwydro a’r ddinas
yn glastwreiddio’i chalon,
rhinwedd yw rhyngedd
y lle sy’n aros yn yr unfan.

Illustrations/Darluniadau: Efa Loi, poetry/barddoniaeth: Morgan Owen

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UEFA Champions League 2017: an Italian-Spanish-Welsh Cardiff takeover

So, it’s the big comedown after the main event, the weather gods have finally let us have it after holding off all weekend, all the drains on my street are totally blocked. The city is slowly being returned to normal.

Is anyone else sad it’s over?? Big ups to all the police and emergency services and cleaning crews and volunteers and everyone who helped make it happen. It was a brilliant weekend!

Some of our favourite bits:

 

 

 

 

We also really like this story from Wales Online: To all the Champions League fans, volunteers and staff – Cardiff says DIOLCH!

Fav bits: over 1 million pints pulled in the city over the weekend, 20,000 half’n’half trays … nice!

Peas

WACx

PS if you’re interested in the community aspects of the game, we suggest following our pals at Eat Sleep Footy Repeat – they covered the 1600-strong girls match in Llanrumney last week, and report on all the best parts of the sport around here!

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The Book of Cardiff – launch!

So I was in my trapeze class yesterday and my lovely teacher Olga said that a photo of me was on Facebook, and it was going to be in a photography book! Intrigued, I reactivated my Facebook account to check it out…

Photo by Craig Kirkwood

In the most Cardiff fashion ever, I was photographed riding my bike through a lovely park, past Bryce Davies’s (aka graffiti artist Peaceful Progress) van. In serendipitous style, Bryce had also recently done my tattoo (you can see it poking out of my right sleeve). If that’s not Cardiff, I’m not sure what is – cycling everywhere, parks, graffiti, everyone knowing everyone and a gorgeous photo of the whole thing.

Anyway, it turns out that the wonderful photographer Craig Kirkwood has gone and made a photography book about Cardiff! It features loads of incredible shots of lots of our friends. It looks really amazing, so we had a chat with him to find out more….

The Book of Cardiff is a hardcover bound portrait of the city told through around 300 stunning photographs taken over a 12-month period.

You can see some of the wonderful shots below, or on the book’s Facebook page.

Foreword to the 1st edition

The Welsh capital is fast becoming one of the great post-industrial cities of Britain. Full of optimism, open spaces, and renewed foreshores, it’s taking its place beside so many urban centres which have emerged, finally, from the collapse of industry, manufacturing and mining that so brutally shook the Kingdom in the 1980s and 90s. It’s also a city that’s changing quickly as the industrial spaces disappear to make way for new retail, commercial and residential projects.
Craig says:
“This book covers about a year in the life of the city. As an expatriate Australian, I don’t pretend to understand the history of Cardiff in any detail. Nor do I have the cultural ties that would give me an informed, insider’s perspective. But I do bring the eye of a resident tourist still delighted with just how pleasant it is to live in a city that can be covered largely by foot or bicycle.
At the time of writing, I’ve lived in Cardiff just over a year. It’s not such a long time really but to delay this book any further would be to miss the opportunity of seeing the town as a fresh outsider.
As a photographer, it’s important to grab that ‘new car feeling’ and breath it in before the sights that seem fascinating become commonplace.”

About the author

Craig Kirkwood is an Australian-born photographer, publisher and entrepreneur. He moved to Cardiff in 2015 and immediately set about documenting both the landscape and the cultural life of the city, taking over 20,000 photographs of hundreds of festivals, events, concerts and everyday life in the city.
Prior to moving to Wales, Craig was the CEO of high- profile creative media consultancy, Fearless Media, which he founded in 1999. At the time, Fearless was the largest organisation of its kind in Australia with offices and facilities throughout the country. He was also a regional manager of the Australian Film, Television and Radio School and founded the renowned Flickerfest International Film Festival on Sydney’s iconic Bondi Beach which continues today in its 27th year.

Where to buy and launch party details

The book will be available from Waterstones and many other book and gift shops around town or can be purchased directly from the publisher’s online store http://colourshop.co. The launch party is on Thursday 1 June at Little Man Coffee from 7pm, and our faves Maddie Jones and Sparkles Hoop Troupe will be performing.
Everyone is welcome to attend!

We can’t wait to see the finished book – best of luck Craig!!

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Zombies, killer swans and Welsh cwrw on the River Taff

The second part in my series of essays about the Taff is up on Caught By The River now: Zombies, killer swans and Welsh cwrw on the River Taff

I’ve been doing lots of walking and lots of research for this series, and so there’s a lot of stuff I don’t get to publish on CBTR. Luckily for me, the overspill can go here.

(Photo by Wales Online)

I was listening to Underworld during my walk.

Further reading:

A brew that’s part of the city’s history (Wales Online, 2009)

The Brewing of Brabo 2: The Brains behind the operation (Des De Moor, 2013)

Grangetown Online History: pubs

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Save Womanby Street – march on City Hall

Gah. Well I don’t know about you, but it feels like this is a time of chaos and uncertainty – where you’ve got to fight tooth and nail for the things that are important to you.

If you’ve ever been to a gig on / been drunk on / sat around at midnight on / enjoyed a festival on WOMANBY STREET, then you owe it to the alternative cultural scene of the city to JOIN THE CAMPAIGN TO SAVE IT! If you’re not into chain bars, Cardiff’s night time economy is a pretty small slice for you: don’t let them take it away from us.

So what’s going on? In brief, a request for planning permission has gone in for residential to be built on Womanby Street. The Sprout have a pretty good precis of the situation, so rather than me rewording it, just go over there and read it: Save Womanby Street (The Sprout).

WHAT CAN YOU DO:

The Full Moon will also be re-opening this weekend and will be part of the Save Womanby Street festivities

Millennium Walk graffiti wall is gone. The Full Moon was going … it’s been rebooted … but it’s important we try and support these local independent businesses, and celebrate the Cardiffians behind them.

MAKE SOME NOISE! RESIST!

Good luck to everyone going on the march on Saturday. We’ll see you down the front.

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RIP Cardiff’s Millennium Walk graffiti wall

I’ve been writing a column for the wonderful Caught By The River project, and my latest piece for them was about the Millennium Walk graffiti wall, doomed by Cardiff’s impending UEFA Champions League football fest.

Where can you find existential ponderings about mathematical logic, sharing wall space with messages about Mother’s Day, paedo ring cover ups in the BBC, and a sketch of Marge Simpson with a massive spliff in her mouth? In other cities, perhaps this sort of thing is omnipresent, but in Cardiff, there’s only one place: on the banks of the River Taff, at the graffiti wall on Millennium Walk.

Read the full article and see the photos here: Wandering the River Taff: Millennium Walk and the Doomed Graffiti Wall

To be honest, it’s kind of amazing the graffiti wall has lasted as long as it has, given its PRIME LOCATION (and like the song says, dollar bill y’all, dollar dollar bill). It’s just a shame that seemingly every nice public space in the city has to celebrate alternative community has to be sacrificed for profit (see also: the Abacus, but hopefully NOT Womanby Street).

I just read this morning that a new space has been secured for the wall: in Callaghan Square, on the southern outskirts of the city. Oner Signs will still be co-ordinating, so if you’re desperate to paint please contact them rather than just rocking up and tagging!

If you’ve never heard of Callaghan Square, well, that’s because it’s basically just a bit of a strange nomansland of a place – a walkway across the middle of a massive roundabout that hugs the edge of the city between Butetown and the city centre (go to the north end of Bute Street – it’s there). Ie – a bit of a shit spot.

I know the artists will be happy they’ve been given somewhere by the council – anywhere is better than nowhere, after all. Graffiti is still a bit ‘cutting edge’ I guess for the majority of people who make planning decisions in the city (Cardiff council planning department – step forward and prove me wrong!), so I suppose just any space seems like enough in their eyes.

Callaghan Square is by no means a like-for-like location. Millennium Walk was a wonderful place, because it brought massive amounts of exposure for the artists and the art form itself to people who probably would never go and seek that out. And yes, the new space is used by skaters, so it’s nice in that sense, but it feels a bit like ghettoising the art form. Get it back in the centre! Make it visible!

How nice it was … to be able to amble down the river and enjoy (or be confused by – reactions are irrelevant guys, it’s ART) the murals on those walls.

Anyway, there have been a bunch of things published about the wall, so I thought I’d do a bit of a round up here:

If I’ve missed anything, please leave links to more pieces you’ve seen in the comments. And RIP this quirky, wonderful little segment of the beating heart of our city centre.

Photography by Lorna Cabble

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Cardiff Bay 10k … run Cardiff, run!

A photo essay of this year’s spring Cardiff Bay 10k. Well done to all you runners! All photos by photojournalist Kerry Elsworth.

Cardiff Bay, Wales. 2nd April 2017. Athletes take on the Cardiff Bay 10k run.

Cardiff Bay, Wales. 2nd April 2017. Athletes take on the Cardiff Bay 10k run.Cardiff Bay, Wales. 2nd April 2017. Athletes take on the Cardiff Bay 10k run.Kerry_Elsworth_Cardiff_10k_ - 03Cardiff Bay, Wales. 2nd April 2017. Athletes take on the Cardiff Bay 10k run.Cardiff Bay, Wales. 2nd April 2017. Athletes take on the Cardiff Bay 10k run.Kerry_Elsworth_Cardiff_10k_ - 07Kerry_Elsworth_Cardiff_10k_ - 08Cardiff Bay, Wales. 2nd April 2017. Athletes take on the Cardiff Bay 10k run.Cardiff Bay, Wales. 2nd April 2017. Athletes take on the Cardiff Bay 10k run.Cardiff Bay, Wales. 2nd April 2017. Athletes take on the Cardiff Bay 10k run.Kerry_Elsworth_Cardiff_10k_ - 12Cardiff Bay, Wales. 2nd April 2017. Athletes take on the Cardiff Bay 10k run.

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Save Womanby Street!

In case ya hadn’t heard, here’s the deal. The Gatekeeper has put in an application to convert some of the building to be Cardiff’s first Wetherspoons hotel. Unfortunately, it happens to be located right in the heart of the alternative musical heart of the city: Womanby Street, a place we’ve spent many hours stumbling around, weaving from venue to venue, smoking, eating burgers, drinking pints, putting the world to rights. Whether you’re a boozehound or not, late alcohol licensing is totally vital to this epicentre of alternative music, and venues are worried about the implications of having the hotel there.

To try and safeguard the venues on this street, there’s a “Save Womanby Street Campaign”. Do your thing, join up, get educated, lobby those that represent you.*

 

Here’s the vibes:

Save Womanby Street

Backed by Cardiff’s grassroots music venues, the Save Womanby Street campaign is lobbying the council to recognise the street as an area of cultural significance for music and performance arts.

Home to live music venues Clwb Ifor Bach, The Full Moon, Fuel Rock Club and Bootlegger, Womanby Street has been described as “the epicentre of Cardiff for grassroots music” and “the heartbeat of live music”

According to campaign organisers, late alcohol licensing and live music is vital to the venues’ survival.

The addition of a hotel will benefit the area but current systems of law could threaten the unique nature of the street.

As a result the group are calling on Cardiff Council to designate Womanby Street a cultural night time economy. This will protect the street and allow businesses to continue to flourish.

The decision under the current systems of law has been met with widespread objection, with folk singer Frank Turner joining nearly 7,000 others to petition against the move.

However, Save Womanby Street organisers have stressed that the wider issue lies with planning permission policy and not the pub in question.

Under current regulations any  complaints regarding noise pollution would threaten the livelihood of the street’s venues.

In addition to the local planning changes, the campaign will lobby the Welsh Assembly to adopt the agent of change principle in relation  to planning permission, making it the responsibility of the developers of any new premises, commercial or residential, to find solutions to noise from nearby pre-existing business.

 

What can you do?

Lobby your councillors (see above)

Join the Save Womanby Street Facebook

Peace out

Joy
x

* (if any of you live in Butetown, like I do, good luck trying to lobby our councillor Ali Ahmed for anything, all he ever does is reply saying what’s happening and that there’s no way of changing anything, not once have I ever experienced him actually representing the views of local people – especially on the crazy bonanza of flat building that’s going on around Hamadryad Park. Although I just read he hasn’t been reselected to stand in May, and to be honest, good riddance. How can you live in Penylan and represent Butetown?)

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“No one wants to leave their life” – interview with Refugee Words

We spotted the #wearehumanjustlikeyou video on Twitter the other day, and wanted to find out more about the story and people behind it. We interviewed Kate Whiting of Refugee Words, a new project designed to encourage more people to see refugees as human, just like us. 

Right now, there are 21 Syrian refugees living in Cardiff, relocated under the UK Government’s Syrian Vulnerable Persons Resettlement Scheme (VPRS). Another 1,372 people in the city (of many nationalities, not just Syrian) are living in limbo, awaiting the outcomes of their asylum applications, which could take years. They usually can’t work during this time, and they can’t claim mainstream benefits, instead living off the £36.95 a week given to them by the Home Office.

These are the people lucky enough to make it to the UK. The ones who couldn’t make it across the channel are living in camps such as Dunkirk – they include unaccompanied children, families, older and vulnerable people, and they are just like us. 

We chatted to Kate of the Refugee Words team to find out more about their time in the camp.

What’s your story? 

There are two of us that make up the Refugee Words Team. I’m Kate, I’m from Norfolk. I met my Welsh boyfriend (from just outside Cardiff) while living in London. I guess you could say that I moved to Cardiff for love! I’d spent a fair bit of time in Wales before though, and have now got stuck right in. Dwi’n dysgu Cymraeg!

Our other member, Jess, is actually from Cardiff originally, but we met in Brighton, where we were both studying to become actors. We are hoping to continue the Refugee Words project in order that we can make a theatre piece using the words collected.

How did you end up in the camp?

A friend of mine suggested it after a discussion we’d had about wanting to do something about the general state of the world. Seeing as the refugee crisis is the biggest of our life times, we started there. We had also thought of doing some theatre workshops at the women’s centre, but when we arrived we quickly realised that it was last thing they would have wanted.

There were lots of people coming in and out wanting to do things with the women, to greater and lesser success, but all they really wanted was for us to lend a hand in a practical sense and speak with them. We distracted the kids by playing games with them.

We did hair, make-up, got our eyebrows (and upper lip – shhhhh) tweezed, and most importantly took a shopping list from the women so that we could go to the local supermarket and spend the generous donations family and friends had given us on EXACTLY what they wanted. No one had thought to buy wax, as it’s not ‘essential’, but these women just wanted to feel human again. They are collecting knickers as hand-outs, they just want a bit of dignity and choice back.

What motivated you to make the film?

We decided to collect the ‘stories’ of the people in the Dunkirk camp on our second visit. When we talked about our time volunteering in Dunkirk, it quickly became apparent that people just aren’t aware of it. Everyone knows about Calais, but Dunkirk has gone practically unnoticed. So much so that the unaccompanied minors in Dunkirk were not even included in the measly number eventually brought over under the Dubs amendment.

At the time we didn’t know what we would do with the words/stories, we just knew that we wanted the British public to hear them and that it had to be something immediate. In the end it was Jess’s idea to make a film, we originally had in mind that we would do it with famous faces to increase the exposure, but it’s not so easy convincing known faces to do a film for a couple of unknown women in Cardiff!

How did you make the film? Did you conduct the interviews with refugees? How did you get people to participate in the film? What were the challenges?

I sent a sort of introduction to what we were doing, to be translated. It was translated in to Sorani Kurdish, which is what most of the camp’s residents, at that time, spoke. I also translated it into Arabic on google translate. I didn’t bargain for the fact that in copying it over onto word the font would change and become unrecognisable!! Most speak Arabic as well as their first language, so I knew that we’d reach more of the residents and not just the Kurdish ones, but sadly when we showed them the paper cut outs with the Arabic translation, there were lots of very confused faces!!

Luckily the Kurdish one did the trick, it basically said that we are theatre makers and interested in getting the story of their lives across to the British public, especially those who are unaware of their situation. We said that we hoped to put pressure on the government. For those that agreed, we gave them a dictaphone and invited them to tell their story into it in their native language. We stood away from them to give them the space they needed. There were many tears. We then got these translated back into English when we got home.

In terms of actually getting people involved in the film when we got home, that’s a whole other story! I’ll try to keep it brief! We made a flyer inviting people to film themselves (on their smart phones) saying the words we had collected as if they were their own. We put the flyer up on social media and sent emails, and 70+ people responded. Including Guardian journalists Owen Jones, Gary Younge, and Nisreen Malik. We feel so lucky to have so many people involved. We then edited all the films together for maximum impact. Sadly we couldn’t include everyone’s videos in the final edit, but we hope to continue the project and release a longer version of the video in the near future. 

What do you hope is the effect of the film?

We hope that the effect is to humanise the camp’s residents. To make British people, particularly those who wouldn’t usually think about the refugee crisis, realise that this could be them. These people are just like us. In the words of the residents “we are all human”, “all humans deserve a life”, “we are human, just like you”. 

Our biggest hope is that if we can get this film seen by lots of people, they will join us by putting pressure on the UK Government to rethink their current position on allowing refugees to enter the UK. 

Please like and share across social media sites with our hashtag #wearehumanjustlikeyou

And visit our website for further information refugeewords.org

Get involved, get informed

To volunteer your time or skills to refugees and asylum seekers in Cardiff, get in touch with the Oasis Centre, Asylum Justice, the Trinity Centre, Oxfam Cymru or Welsh Refugee Council.

More information about volunteering your time or donating money, goods or food is available on the HelpRefugees website.

The National Assembly for Wales’s cross-party equality committee is currently undertaking an inquiry into the support for refugees and asylum seekers in Wales. It will be publishing its findings and recommendations next month. You can see all the written and oral evidence here.

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Ernie Sparkles: circus, boylesque, and all that glitters

We spent some time this week shooting the breeze with hula hooper, performer, lover of glitter and number #1 boylesque performer in Rhiwbina, Ernie Sparkles. Cardiff born and bred, Ernie – aka Gareth Pahl – tells us about growing up in Cardiff, his love of performance and explores a little of the cultural offerings of the city today. Take it away, Ernie!

 

 

I was born and raised in this wonderful city of Cardiff a long time ago! Well, 34 years ago, back in the days when Cardiff Bay was full of mud you could throw stones in and make epic splat noises – God that was fun!

Being the son of a builder we were lucky enough to get a great deal on a run-down house in Rhiwbina when I was young, just around the corner from the old Monaco cinema. It was a relatively quiet street with lots of young families so we spent a lot of time playing on the street on our bikes, roller-skates, go karts, whatever as long as it had wheels! We used to play insane games – one of us would have a stick tied to a rope, the others had to cycle around. The game was to throw them off their bike by sticking the stick through their spokes as they cycled past!

Growing up was awesome, I was lucky, I had a good family, good friends. My wonderful Nan would spoil me and my brothers by taking us to the circus, the Monaco cinema, the theatre and then we’d spoil her back by making her watch us re-enact the whole thing when we got home! Mum and Dad worked as hard as they could to raise three boys and keep a roof over our heads (although I remember one winter when the roof was off the house because dad was building a loft extension – the tarpaulin would be flapping away above us).

Cardiff as a city in my childhood was a lot different to now. Town and Cardiff Bay wasn’t as it is now. It’s a shame we lost things like David Morgan’s department store when it all changed, but I think Cardiff is a better place now. We’ve been lucky to receive the investment to make the city as it is now, and it does worry me a little about the future after the weird political shifts of 2016.

I was born at the University Hospital in Heath, and lived in Roath for a year or so before moving to a house in Llanederyn where I lived until the age of five. Then we moved to Rhiwbina to be closer to both sets of grandparents and a bigger house. I don’t really remember much before moving to Rhiwbina. I spent most of my life here in Rhiwbina and this is where I live now (in my wonderful Nan’s house, although unfortunately she’s no longer with us).

At the age of 18 I moved to a farm in Rudry for six months or so, I was helping to put a roof on a historical barn that had its roof blown off in the great storm 1987 (if I remember right). I then moved back to Cardiff and lived in Gabalfa for a year before deciding to move to London in 2003. I lived in Wimbledon for 3 years whilst I did my degree and then bought a house in Rochester with my partner at the time. We lived there for seven years before I moved back to Cardiff.

When I was five, my Mum and Nan bought me tickets to go and see Les Miserables in London. I already knew all the words because we had the soundtrack at home. I was utterly captivated and mesmerised by the show, and on seeing the barricades I knew that I wanted to be a barricade maker. I wanted to be the man who makes the magic that goes on the stage. I spent the rest of my childhood and teenage years watching every single show, studying set and costume design, and just being totally obsessed with theatre. If I wasn’t going to be a designer I was going to be a director, it was one or the other – but really, I wanted to be a designer. Santa bought me a toy theatre – it was run on magnets and it was magical! I used to make sets and characters for it and I’d put on every single show ever made haha! I bet Nan could’ve killed Santa as I made her watch them – she’d have a ticket, she’d have a programme, she’d have to come and watch these epic shows.

In 2003 I was accepted onto the BA(Hons) Theatre Design course at Wimbledon School of Art and there began my adventure into the real world of Theatre Design. I should’ve used this time a bit better to be honest – I did get seduced by the lifestyle of London and so sometimes I wasn’t as focussed as I should have been! But hey, I graduated in 2006 and then never stepped foot in a theatre for about six years – I had a mortgage to pay!

In terms of my careers, lord, what jobs haven’t I done! I’ve been a cleaner, a burger flipper, a carer, a builder, a theatre usher. I was a finance officer at Mencap Cymru for a couple of years before I moved to London, and in London I worked for Seasons Florists in Wimbledon – I loved that job! We made amazing floral displays including Venus Williams’ winner’s bouquet at Wimbledon Championships.

When I moved to Kent I was a finance administrator for Age Concern and later finance manager for Medway Cyrenians – a homeless charity. I loved those jobs too – they were interesting and I’d meet some wonderful people. In 2011 I then trained as a Primary Teacher at Canterbury Christ Church University.

At that time, I also used to teach performance workshops, and do a bit of set and costume design here and there. I ran an annual carnival with local communities and produced various events.

I moved back to Cardiff in 2012 where I worked as a primary teacher for several years until 2016 when I decided I had had enough and needed to go back to my love – theatre. I now work as a freelance set and costume designer, model maker, performance artist, director and choreographer at Sparkles Hoop Troupe and Scratch This producer. I do a bit of everything really and I always love it that way!

 In 2014 I became quite poorly after a child sneezed into my eye!  I was ill for so long after that and needed to get fit to get through it. I have always been rubbish at exercise and the gym so I needed to find something that would grab my attention. A friend recommended NoFit State circus community classes and I thought why not give it a go! I went to the aerial beginners’ class and have been hooked ever since! I started training in aerial hoop and static trapeze as well as my love – flying trapeze. I have been training for two years now and was starting to get good, but I haven’t trained for a couple of months now for various reasons, but I’m keen to start training again soon.

Around about the same time I started learning to hula hoop with Elliecoptor Pilott at the Abacus. I was useless at it but determined to nail it so I practiced every day for months and months. Six months later me and Ellie set up Sparkles Hoop Troupe as a fun way of encouraging people to use the hoop skills they had been learning by putting them into group dance routines. It really took off and here we are two years later having had so many gigs and bookings! Last summer we were performing at festivals and events nearly every weekend from May until September! We are lucky to have such fun and dedicated ‘Sparklettes’.

A lot of my time is now spent on managing Sparkles Hoop Troupe with Ellie. We’re a great team because she is great at managing the bookings and all the admin side, whereas I’m more creative so I make the costumes, edit the audio tracks, etc. We both take charge at directing and choreographing! We’ve taken off and now we’re starting to get professional bookings on the cabaret circuit which is great fun! Myself and Ellie have also started masterclasses in hoop choreography, we were recently in Bournemouth teaching and that was so much fun!

I also produce a circus scratch night called Scratch This! The circus scene in Cardiff is expanding what with NoFit State and their community classes, but also companies like Mary Bijou etc. It’s great that this scene is expanding and we love to give opportunities to performers both professional and community based who want a performance platform to try out new ideas and get valuable friendly feedback. Our first three shows were well received and all sold out! We’re starting to get a good reputation as a good fun show to come and try out ideas in a supportive and relaxed environment. Our show on the 11 February was our best yet and we were so lucky to have had so many wonderful cast and crew involved. We have struck up a great working relationship with Cardiff Speaker Hire – the venue we use, they are great and we love working with them!

Recently I have started following my interests in clown and have been on a few clowning courses. It’s been great fun and I’ve noticed big changes in my performances since. It’s something I want to do more of! I’ve been working with Alison John from Yello Brick and Hannah McPake from Gagglebabble setting up a regular play space where people can come and play games and mess around! You can find out more at Shakedown Cardiff or why not come and play on the 2 April at WMC!

 

Now, let’s talk about Ernie Sparkles – bless him, that silly jumpsuit obsessed boy always on the hunt for unicorns and fabulousness! He came from planet glitter or something ridiculous like that! Again, like most things that happen to me – it happened by chance! He started off as a bit of silly fun for a friend’s wedding cabaret. Having seen Immodesty Blaize in London back in 2005 I have always had a silly fantasy about being a boylesque dancer! So, when a friend wanted a cabaret at her wedding party I put myself forward to do a silly routine under the name Mr Sparkles. That was the first ever showing of Ernie’s ‘Milkshake’ routine and now two years later its being booked by various cabarets around the country! Hilarious really!

He grew from there really, he’s a bit like me in that he likes to keep his fingers in lots of pies! He’s obviously a regular at Sparkles Hoop Troupe and he compere’s Scratch This, he also has his boylesque routines. Last year Ernie and I created a ‘one man show’ for Made in Roath called ‘The Fabulous Unicorn Inquiry’ and it was a show exploring fabulous and whether it was a phenomenon limited to only unicorns. It was weird putting him and me on stage together but good fun!

Recently he was followed by some student film makers creating a documentary about Boylesque – Sparkles The Movie we like to call it! I’m looking forward to seeing how that turns out!

I don’t know why but I always refer to him as a different person! I mean, he’s clearly me but then me and him are so different! I guess it just helps me to define him as a character if I do – he’s just an exaggerated version of me I guess but I couldn’t live my everyday life like that – people would think I’ve gone mad! Maybe I already have?!

So you want to know about my plans and ambitions for the future? NO! I promised myself to live every day for itself and not plan! I have dreams and hopes, and then I have realistic ambitions and plans! I guess I want to carry on developing and building my profile as a designer, model maker, theatre maker and make enough out of that to live happily ever after! A tough one I think, but I’ve been freelance now for nearly seven months and I’m still alive! I wouldn’t go back to a full-time job like before, na-uh, not ever!

Obviously, I’d like to build Ernie’s profile too, and this year we’re getting him into some good gigs in some respected cabarets and burlesque shows. Although I’ve got a history of performance, Ernie is relatively new and so he’s still trying to find his feet and define himself! Yes, we make mistakes but mistakes are proof that we are trying, we need them to learn and grow from and that’s the fun of living!

I have friends pass away too soon in jobs they weren’t happy in, I don’t want to be like that, I promised myself that wouldn’t be me. I want to love what I do, and the moment I don’t is the moment I find something else. I do know that I am lucky enough to be able to be able to live like that though, I am lucky and thankful for it.

I guess in the future you could possibly see more of Ernie on the performance scene here, more Scratch This Cabarets and eventually some other shows. You can see Sparkles Hoop Troupe continuing to grow and delighting audiences. You may one day also see more of my design work – but sadly I don’t think I’ll ever be the one that makes the barricade!

 

We are so lucky to have so many creative people in Cardiff. We’ve so many good things here across many genres. On the cabaret scene, we have Mary Bijou Cabaret and Social Club for circus cabaret, Cardiff Cabaret Club which is burlesque, and of course Scratch This which covers anything and everything! I’m sure there are more that I haven’t seen yet. It would be lovely if there was a regular cabaret bar or something but the frequency of these shows now means they really are something to look forward to! I think the biggest shame however is the loss of the Blysh festival, that was an awesome festival and it’d be great if we could have it back!

Cardiff’s art scene is incredible, it really is! Having lived in London for so long, I was spoilt by the arts scene and what was on offer, but it was expensive and exhausting. The arts scene here is so much more relaxed and enjoyable – I guess there are several factors – it’s a smaller city so there’s more of a community feel, creative people here are looking out for each other, people in Cardiff are generally very supportive and encouraging – and that really is magic! There are so many artists and performers here that work hard to create some incredible work. This last year I have seen some incredible stuff come out of the city across many genres. It’s also relatively easy to create opportunities here, and that’s wonderful.

I speak generally here, I mean I’m not naïve enough to believe it’s perfect, like everything there are politics and crap, but then everything has those aspects and we just must learn to get on with it and stay true to ourselves. I believe Cardiff’s art scene is ace and I think we should be proud of our arts scene here.

My perfect Cardiff weekend for visitors would depend on who was coming and what was on! One of my favourite ‘touristy’ places in Cardiff is St Fagans – just because it’s probably the cutest place in the whole world! I also absolutely love the waterfalls in Brecon – Pontneddfechan, Sgwyd Eira is just the most empowering and majestic place – especially after a heavy downfall – it’s incredible! If we were staying in the city, then I would take them for a coffee at one of the coffee shops like Penylan Pantry, or Barkers. Afterwards to a show – at one of our many theatre venues followed by lots of lovely beer in Porters, or Brewdog, followed by some live music down at Gwdihw.

The last group of friends that came to stay with me had to come and watch my last Scratch This cabaret. They loved it!

Find out more:

Scratch This Facebook

All photography by Lorna Cabble

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My Cardiff Geography: Geraint Clarke, Magic Consultant

Have you ever sat in a coffee-shop opposite a man with a laptop on a Tuesday afternoon and wondered what he does for a living? Your guess was graphic designer, your friend guessed fireman… We decided to accost one of those men to find out, and you won’t believe his answer. Meet Geraint Clarke, Cardiff-based freelance magic consultant. And no – we had no idea what that was either, until we grilled him about it …

Geraint Clarke Magic Consultant

Q. GERAINT, WHAT ON EARTH IS A MAGIC CONSULTANT?

A. Essentially, I sell secrets.

My main job is creating tricks and designing campaigns for an American online business called Ellusionist. They sell the secrets to magic tricks online and I craft their campaigns for them, as well as coming up with some original tricks to publish.

Magicians on TV or at events all around the world use these secrets to blow the minds of their audiences.

The easiest comparison I can give is that Beyoncé had five songwriters for ‘Run the world’. Magic Creators are the songwriters to the Beyonce’s of magic.  

Sometimes magicians learn the secrets from other creatives to allow themselves to be the best performers. Like Jonathan Creek… except I don’t solve murders.

Q. HOW DID YOU GET INTO THAT? WE DIDN’T EVEN KNOW THAT WAS A THING

A. I have a background in marketing, and I created magic on the side. My friend Rory and I filmed product trailers and sold the secret to the tricks to magicians all over the world.

We split royalties cheques each month. I felt like a rockstar (or some sort of struggling songwriter), cashing in cheques for US dollars to the bank. Although this is actually way less glamorous than I imagined it was.

My tricks sold so well, they hit #1 in the bestseller list. Some magicians used them at their private events and some popular names have even used them on TV (and no – I can’t say who!).

I was lucky enough to gain the attention of some bigwigs in the industry and was offered an exclusive contract with Ellusionist.

I use my marketing background to develop their business as well as giving them exclusive rights to my original ideas. They’re the perfect client. It allows me to do other freelance work like voiceovers, blogging or consulting for other companies.

The only problem with being freelance is that both your postman (and your Mum) will think you’re unemployed, being at home during the day…

Q. DO YOU KNOW DYNAMO?

A. Yes.

Q. REALLY?

A. Yeah I was with him in London last month. He LOVES magic. You think he’d be sick of it by constantly being in the spotlight, but we sat down and he couldn’t stop performing.

He’s actually the one who inspired me to start magic. I saw him on MTV Base, back in the day. The next day I was in a book-store picking up a magic book. Ten years later, I’m lucky enough to know him. Great guy!

Q. IT LOOKS LIKE YOU’RE JUGGLING THE CARDS, WHAT IS THAT?

A. Everyone has seen fancy shuffles and thought “I’m not playing cards with that guy”. This idea of manipulating a deck of cards to flip, spin or spring them through the air is called ‘cardistry’.

It’s an artform in its own right, with tournaments, conferences and award shows.

This year I got to fly to Berlin as a sponsor of Cardistry Con and witness the best in the world at this art form. Nothing is more soul-crushing than being at an event where a 13 year old kid is better than you at something you’ve spent 10 years perfecting. I mean, I’m only 26, but even I felt old there.

To the We Are Cardiff readers out there that love to fidget and keep their hands busy, I’d definitely recommend cardistry as a hobby. You can practice in front of the TV, or pass time waiting for the bus.

My advice – start with the ‘charlier cut’ and work your way up to the harder stuff. It’s so addictive.

Q. IS IT SOMETHING YOU STARTED WHEN YOU WERE YOUNG?

A. Actually, I didn’t start magic or cardistry until I was 16. Before that I didn’t really have a fixed hobby.

I played rugby throughout primary school, took up boxing in my teens and quit karate after one lesson. I think there’s a lot of pressure on kids to determine what they love instantly. Or to dive all in on their first ever swimming lesson for example (excuse the pun!).

The truth is I didn’t love anything as a kid. I discovered my passion late, after trying a myriad of different hobbies.

I think everyone needs a hobby though, a creative outlet to forget about the stresses of everyday life. Something that’s 100 per cent yours, and can’t be determined by your job, girlfriend, boyfriend or parents.

Q. WHERE DID YOU GROW UP?

A. I grew up in Newport, with Cardiff being an adventurous train-ride away. My mother would take us to the old ‘Toys R Us’ by the station to spend any pocket money I’d earned. It’s been knocked down since – it used to be on the site where John Lewis and St David’s 2 are now.

It was back then I realised then the importance of hard work, as I could never afford that RC Hovercraft.

They say home is where your heart is, but sometimes you connect with a place that isn’t where you were born. For me that’s Cardiff. It’s where I do my socialising, nights out, shopping, filming… everything.

Q. WHAT’S YOUR FAVOURITE PART OF CARDIFF?

A. In the winter it’s Coffee Barker or Tea Barker (Royal Arcade in the City Centre), but in the summer Cardiff Bay is unbeatable. A mellow atmosphere and incredible choice of things to do.

My serious drinking days are over now. I think I took my liver hostage in university, but I used to love summer evenings on Mill Lane.

Q. WHAT PART OF CARDIFF DO YOU LIVE NOW?

A. I recently moved just outside Cardiff to Llanharan. It’s a quaint barn conversion that has the convenience of a CF postcode, but without the noise of a student party in the apartment above me… like my old place.

Q. ANY FINAL WORDS OF ADVICE FOR THOSE WANTING TO GET INVOLVED IN THIS WEIRD UNDERGROUND HOBBY?

A. If you see me around Cardiff and want to ask me a question on any of the above, don’t hesitate to come over and say hi.

Incase you don’t see me round the city, feel free to get in touch if you’re interested in learning magic or cardistry. I’ll point you in the right direction. You can follow my Geraint Clarke lifestyle blog or find me on social media @geraint_clarke.

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