A hoy hoy friends. Today’s post is one I’ve been wanting to write for aaages, about a newsletter I signed up to a while ago that’s brought me much joy, as it covers ‘weirdo music’ in and around Cardiff. It’s called Through The Night and writer/curator Xavier was kind enough to spare me some time and some words on it. If weirdo music is your thing (and there’s all sorts of great stuff on there, so it really should be) please do sign up for Through the Night.

So, ready? Here we go!

WAC: Hello. Please introduce yourself.

I’m Xavier, from Cardiff. Since moving back in 2014 I’ve been putting on and playing shows here, initially as part of the Hotel de Marl collective, and now under the Sgarab Tapes moniker. I used to be a freelance music writer but am thrilled to say those days are behind me

WAC: You’ve been writing the Through the Night (TTN) newsletter for a while now. What inspired you to start it up?

Just before lockdown I felt we were seeing an especially fruitful time for weirdo music in Cardiff, culminating in a sell-out show in Tiny Rebel for Special Interest, a New Orleans-based outfit who play a sort of mutant no-wave dance-punk. Wild shit, largely the work of Luke Penny from Cardiff punks Cankicker. Happily, the pandemic failed to take the wind out of things, and so in Jan 2022 I threw together some listings in an effort to signpost things. There was once an outfit called ‘The Joy Collective’ who, along with putting on a tonne of leftfield stuff in Cardiff, ran a vital blog that did a similar thing, and I’m picking up where they left off.

I know that ‘Weirdo music’ is a pretty unhelpful catch-all, and I’d be lying if I said it didn’t basically boil down to stuff I like, including projects I’m involved in. But fundamentally, this is a free, artist-led newsletter with no allegiances, least of all to pissant music monocultures of the sort which Cardiff Council loves to flaunt, if not actually support (see the presumably defunct ‘Music City’ project, for example), and which commercial venues are required to continuously indulge. Basically, TTN is dedicated inches for noise and drone, ambience and electronics, industrial, improv and weird jazz, anything that runs the risk of failing to draw an audience. At the same time I’m also open to including artists that are perhaps more easily pigeon-holed on paper, but in practice push boundaries, musical or otherwise, and that’s why I’ll still include certain punk & hardcore, weird metal, or club music. Ultimately I want to help anyone taking a chance, including the DIY promoters and venues; Lesson Number 1, Subvert Power Control, Paradise Garden, and on the performing arts side of things there’s TactileBOSCH.

I should point out another thing I don’t owe any loyalty to, which is publishing deadlines: in theory it’s once a month, but this doesn’t always happen since right now I am retraining as something with far, far more social utility than music-writing. Along with Cardiff I also do my best to cover similar stuff in Newport (home of Le Pub and more recently The Cab, which has quickly established itself as a righteous DIY space for punk and hardcore) and Swansea, (which is frequently the site of the excellent NAWR Music, led by the incredible Rhodri Davies, an improvising harpist from Aberystwyth), but am always concerned I might be omitting the real gear in these locations and am always keen to hear from punters on the ground

WAC: You also run a record label called sgarab tapes. Can you tell us a bit about that, and your own music production?

‘Label’ is a bit grand, for now it’s just a cassette and digital imprint for music I’ve made, on my own and with other people, but this year there will be some releases from artists whose music excites me and hopefully a Cardiff-focused compilation. Some people have asked about the logo, it’s the Summoner from the Canterbury Tales, whose job was to bring people before the church to answer for their crimes and face punishment, which is sort of what it’s like coming to our gigs

Of course, it’s a stupid time to be doing any of this; venue closures and rising costs make things like rehearsing, equipment, touring and getting people out of the house a struggle. Strangely though, it feels like things have never been better in Cardiff for adventurous sounds, at least in my time. Personally I think this is largely thanks to SHIFT, a performance space buried deep in the remains of the Capitol Centre which many, many hands have helped transform into a vital hub of experimentation, cultural solidarity and, I stress, real, actual fun. It’s been a riot, and I’ll be gutted when someone somewhere decides it’s got to go (presumably when the council finally decides to demolish the centre and replace it with unaffordable flats). A lot of highlights there over the last two years (Tara Clerkin Trio, Elvin Brandhi and Yeah You, Lo Egin, Viridian Ensemble) but a recent one that I think underlines what it’s all about was a residency by the Dutch performer Svartvit, who I suppose you could describe as an extreme noise artist. He’s also an extremely nice guy who, as part of the residency, ran a free, open workshop in which he described the processes by which he makes music, which embrace things like chance and situation, and by no means rely on expensive tech. Two of us ended up using what we learned to perform as an improv duo on the final night of his residency. I loved the name of the workshop, which was ‘democratising and de-quantising sound’, which I think is what it’s all about for me (de-quantising is a fancy way of saying working outside of traditional parameters or guidelines)

As for my own music, I perform solo as Beauty Parlour, which I normally describe as an extended exercise in world-building that looks to capture the ‘air of calamity’ I think hangs over South Wales a lot of the time. The music itself takes a few forms, from flooded ambience to manic, industrowave stuff that you can sort of dance to. I also play alto sax and sampler / synth in a band called ‘The Panama Papers’, which began as a hopelessly convoluted in-joke and has since expanded into a jazz-not-jazz-electronics outfit

WAC: Who are your favourite local musicians / artists that you’ve featured? Anyone you’d like to pick out for us to listen to?

I’ve mentioned Cankicker (goth-adjacent dirge-punk from Splott, really looking forward to their second LP which should be out this year) and Rhodri Davies (awe-inspiring improvising harpist, also plays in Hen Ogledd; last time I saw him he was supporting my favourite band of all time The Ex at Clwb Ifor Bach, and the performance was him simply going hell for leather on a smaller harp until all but two or three of the strings had snapped, it was special). A few more from across Wales who I’ve featured these past couple of years are Ardal Bicnic (duo of Rosey Brown and Heledd C Evans, no music online but whose shows have featured everything from scorching violin and clarinet loops to mic’d-up gelatine desserts), Sachasom (deranged, Machynlleth-based beatmaker; what if J Dilla had been made to watch S4C?), Ordeal By Roses (South Wales’s premier power electronics act, ‘And Darkness…’ is my favourite) Somatic Responses (prolific modular synth and electronics producer), and Ash Cooke (improvising guitarist from North Wales, currently putting on some very interesting stuff in Aberystwyth)

WAC: Any hopes / dreams / ambitions for your work for 2024?

Only that I can find the time to carry on doing this stuff. If the newsletter actually helps anyone, that’s mission accomplished. There are a couple of Sgarab releases available now:

T PERSON – THE SUN / THE THROAT (listen to the preview / order here)

MEGZBOW AND VINEGAR TOM – FIELD MULCH (preview / order here)

WAC: Finally, where can people find / follow you?

You can follow Through The Night here. Head to the Sgarab Tapes Bandcamp to check out our releases. Sgarab is also on insta somewhere. My first release is still my favourite, originally it came out on the excellent Bristol label Ceramics.

Big thanks to Xavier for sparing me his time. Go check out Through The Night and follow, follow, FOLLOOWWWWW!

Much love

WAC x