Tag Archives: music

Cardiff Women in Music – Exhibition and Celebration!

We realise we’re a bit late shouting about this but we’ve just got back from Green Man …

Anyway, our director lady Helia Phoenix is going to be giving a small talk on Thursday as part of the Cardiff Music Women Exhibit (she’s DJed, promoted, and even written a book about Lady Gaga, don’t you know).

The exhibition takes place until Thursday this week, segueing nicely into HUBFEST this weekend!

More about the exhibition …

CARDIFF MUSIC WOMEN EXHIBIT! Facebook event
Mon 20th – Thu 23rd August 2018
Womanby Street, Cardiff (various venues)
All ages / All welcome / Free entry!
Mon 20th starts 6pm, Tues-Thurs starts 4pm.

Celebrating the contributions of local women to our alternative/popular music scene, from the late 1950s up to today.

As well as household names like Shirley Bassey, Charlotte Church and Cerys Matthews, it’ll also focus on untold stories of record shop owners, labels, songwriters/musicians, DJs, festival organisers, sound engineers, photographers, promoters..

Expect plenty of memorabilia/artefacts, photos, video, listening posts, memory-sharing
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Workshops, talks, career profiles and live music – as one of the main aims is to encourage more women/girls/non-binary people into our local industry.

Wednesday 22 August – Cardiff Music Women: Songwriting Workshop / Free / All-Ages

Thursday 23 August – Lucy Squire (Catapult) / Helia Phoenix / Sarah Howells of Bryde

For Thursday’s event, here’s all the deets you need:

Part of Cardiff Music Women Exhibit & Celebration
Guest speakers:
LUCY SQUIRE (Catapult Cardiff, ATRiuM)
HELIA PHOENIX (Music Writer, DJ, We Are Cardiff)
SARAH HOWELLS (BrydePaper AeroplanesSeahorse Music)

Thursday 23rd August 2018
Clwb Ifor Bach
5.30pm open for 5.50pm start – 7.00pm
All ages / All welcome
FREE ENTRY

To coincide with our exhibit we’re holding free workshops & talks aiming to encourage more women/girls/non-binary people into our local music industry.

Our guest speakers Lucy, Helia and Sarah will give an insight into their careers in music, how they got started, achievements, challenges, as well as sharing stories and experiences.

LUCY SQUIRE – Music Business Course Leader at ATRiuM, Lucy previously established a number of brands including the much-loved CATAPULT, a music and lifestyle company nurtured over 21 years with a retail store, mail order, record & clothes label, DJ/music production training, artist development and event management.

HELIA PHOENIX is a music writer, film maker, award-winning blogger, DJ and the driving force behind We Are Cardiff (one of the top city blogs in the world according to The Guardian). Writer of a Lady Gaga biography, with articles featured in Rolling Stone and The Guardian, former magazine editor, photographer and much more.

SARAH HOWELLS is a Welsh musician and record label manager based in London, performing as BRYDE, and previously part of PAPER AEROPLANES and HALFLIGHT. Sarah runs a label called SEAHORSE MUSIC, which supports a variety of female artists. “After more than 15 years in the music industry – writing, touring performing in various different guises – I’ve seen it come a long way in terms of equality and gender balance.. That said, there’s still a way to go..”

Followed by Women in Under-Represented Music / Girls Of Grime / Faith/Cypher in The Moon afterwards (free entry)

#cardiffmusicwomen

http://www.cardiffmusicwomen.com

http://www.clwb.net

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Meet Cardiff band, Rainbow Maniac

Earlier this year we were on the panel helping choose the bands for this year’s BBC Gorwelion/Horizons project. We plan to do a post about all the bands participating very soon, but there were a couple of BRILLIANT, stand-out Cardiff bands that didn’t make the final 12, that we want to profile for you.

First up, meet one of our new favourite bands, RAINBOW MANIAC!

As you can see, Rainbow Maniac are proper good times psychedelic rock’n’roll – plenty of energy and catchy tunes. What more could you ask of your new favourite band? Conor from the band was even kind enough to do a quick Q&A with us. 

WE ARE CARDIFF. Please introduce the band!

RAINBOW MANIAC. Well, my name is Conor, I sing and write the songs. Louis plays the guitar, Gavin plays the drums and Laura plays bass.

We’re all from different South Walian valleys/towns, We all met in Bridgend College, only me and Gavin knew each other beforehand. That’s where the band formed, as we were the only four people in the class who weren’t into metal!

WAC. How did you end up in Cardiff?

RM. I studied a sound tech degree in Cardiff and then we all gradually found work and moved here.

WAC. Give us some local bands you’re into.

RM. Well obviously there’s The Socks, The Buzzards and The CVCs, but we’ve also got into some of the newer bands coming through like Al Moses, The Rotanas, The Pitchforks, and Carolines.

WAC. What’s your favourite Cardiff venue?

RM. Cardiff University Great Hall. We’ve seen a lot of our favourite bands there. I remember seeing Pete Doherty and Babyshambles gigs there before Rainbow Maniac were even a thing, and it had a big effect on me. We’d love to play there one day in the not-too-distant future.

WAC. What’s your favourite Cardiff boozer?

RM. It’s a difficult question because there are so many Wetherspoons to choose from, but would have to say The Gatekeeper, next to Moon Club. It’s a great place to get drunk before you go in to watch a band and are forced to pay over £3 for a can of Red Stripe. Until we get a call from Rough Trade, I will not be able to afford those prices.

WAC. What’s next for the band?

RM. We’re currently sat on a bunch of new recordings, so next we’re gonna shoot and direct our own music video with help from our friends at Mono. After that we’re just gonna work on the release, and try and cause as much of a stir in the music industry as possible, play some more shows, build some more friends, and fans. And have fun!

Our next show is at Tramlines Fringe Fest – Sheffield, 20 July. We also return to HUB Fest in Cardiff 25 August for what should be a great night.

Thanks Conor! Make sure you get along to see Rainbow Maniac at one of their upcoming shows and follow them in all the usual places …

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FREE! USW Music and Sound end of year showcase, Tramshed 7 June 2018

MASSIVE EVENT KLAXON! So those wonderfully talented folks at USW School of Music and Sound are putting on an event at the Tramshed on 7 June to celebrate the students and their musical talent.

The University of South Wales School of Music and Sound invites the city’s music lovers to an end of year festival showcase at the Tramshed!

FREE TICKETS AVAILABLE

On Thursday 7 June, come listen to 14 live new acts, enjoy the street food courtyard, a music-themed photobooth, DJ compere and glitter bar. Free entry from 4pm till late.

There are some crazy talented cats going through the school at the moment, and as well as playing LIVE for you, they’ve even pressed an album!

Featuring:

Eleri Angharad
Carolines
Lost Come Sunday
Jack Hughes
The Kelly Line
Naomi Rae
Mellt
Where’s Ed?
The Rotanas
Glass Jackets
Ravenbreed
Lead Coloured River
Knowhere
Alumni

Entry is free but booking is essential. Open to students, non students, friends, family & anyone who wants to hear Cardiff’s freshest live acts.

Book a free ticket

View the Facebook event

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Record Store Day 2018 in Cardiff – events and happenings!

How is it already time for Record Store Day again?? If you’re looking to go join the queues or catch some of your favourite musical heroes in town, we’ve got the skinny on all the events – from Lauren Laverne broadcasting her BBC 6Music show, to Gruff Rhys and Charlotte Church djing! Don’t forget to check the full list of RSD 2018 releases

Get out and about and support your local independent music scene, this Saturday 21 April, 2018!

Record Store Day 2018 at Spillers Records

9am – 6pm, Spillers Records, Morgan Arcade

The annual celebration of independent record shops and all things vinyl is happening on Saturday the 21st of April – and alongside the armfuls of exclusive releases, Spillers  will be hosting their usual range of DJs and live music to keep you entertained throughout the day – and this year, they’ve got SPECIAL GUEST Lauren Laverne broadcasting her BBC 6 Music show from the store! She’ll be joined by guests Gwenno and Gruff Rhys.

And Lauren’s excited about her visit to Cardiff! She says: “I love taking my show on the road for Record Store Day, but to be going to Spillers in Cardiff – the world’s oldest record store – this year is something really special. We’ll be chatting to the team there and will be joined by Gwenno and Gruff Rhys, with music from Haley. It’s going to be a fantastic show and I’m so looking forward to be heading to Wales’ capital city!”

A Record Store Party That’s Not A Record Store Party

9am – 6pm at RIP Outpost, in the Castle Emporium (Womanby Street)

Come and join us at The Castle Emporium for a right old knees up to celebrate all things vinyl! Come join the Official-Unofficial Record Store Day 2018 All-Dayer, where there will be :

  • *BRUNCH SPECIAL
  • *RIVAL BREWERY BOTTLE BAR
  • *BANGIN TUNES FROM CRUSH DJS / DRUNK YOGA / ROTARY CLUB / BAN LAB
  • *DEALS DEALS DEALS
  • *PRIZES PRIZES PRIZES
  • *HAIRY BABES + SLIMEY HUNKS
  • *PUPPY PARTY PETTING ZOO
  • *DISCOUNT CROC SHOP
  • *POSI PARTY VIBES
  • *THE SUPER LIMITED UNOFFICIAL RSD LIST

NO DIVING IN THE SHALLOW END!

Record Store Day at Kellys Records

9am- 6pm, Kellys Records in Cardiff Indoor Market

A Cardiff institution, Kellys has all your second-hand music needs – and a great line up of DJs on the day!

DJs on rotation at Kellys through the day:

  • 9-11am – Kellys staff
  • 11-12pm – Sarah Sweeney
  • 12-1pm – Don Leisure
  • 1-2pm – Gruff Rhys
  • 2-3pm – Ani Glass
  • 3-4pm – Charlotte Church & Esther
  • 4-5pm – Boy Azooga

Record Store Day After Party hosted by Vinyl Cruisers and Spillers Records

6-11pm, The Andrew Buchan Bar, Albany Road

Vinyl Cruisers and Spillers Records present The Record Store Day After Party! Besides the normal crew there will be Spillers regulars manning the decks. Expect some exclusive tunes for your delight!

If you’re out and about over Record Store Day 2018 be sure to tag us in your pics and we’ll reshare the best! Enjoy! #shoplocal #independentcardiff.

Also shout out to woke Record Store Day sponsor, Friels Cider! Supporting independent music! Give them a big up and tag em in, #FrielsRSD.

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Cardiff Music Awards 2018 – finalists announced! Get voting!

YES Cardiff. The finalists for the 2018 Cardiff Music Awards HAVE BEEN ANNOUNCED! So get on with it, and get your votes in!

There were over 3000 nominations across all 20 categories, which have been narrowed down to just FIVE in each section. Voting is NOW OPEN, and will close on the 23rd of March. You can vote now! Head to the Cardiff Music Awards website.

Need some inspiration? TAKE YOUR PICK (before voting …)

CHROMA – Vampires

 

Boy Azooga – Loner Boogie

 

Astroid Boys – Cheque

GRLTLK Mini mix

VOTING IS OPEN NOW! GO! Head to the Cardiff Music Awards website. 

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Meet The Jutes: Cardiff’s answer to Pavement … via Addis Ababa

Hold on to your pants, one of our favourite Cardiff bands (who played at our book launch back in 2015) are dropping their debut album this week as a Christmas gift to you all! Here’s Robin from the Jutes to take you through the album track by track, along with a video (made by our very own Jameso) and some gorgeous album art….

You can listen to Rumours in the peloton by the Jutes below, and don’t forget to follow them on Twitter: @TheJutes

Track 1: Permutations among the nightingales

A scene-setter rather than a first song, really, this was an instrumental guitar piece I’d had knocking around for a while that we quickly jammed and recorded in the studio. We recorded all of the basic tracks for this EP in one hectic day in the Music Box this spring – live as bass, drums and guitar, and pretty much in the same sequence as the track-listing.

Sadly Dan – our bassist – couldn’t make it, so Adam deputised on bass as well engineering/producing with his brother Paul. Adam was a complete monster – playing all these songs for the first time on the day we recorded them. I imagined this as the soundtrack to a shot of a car driving towards the vanishing point in the American mid-west at sunset. Not sure that explains the frog noises.

Track 2: Light a match

An attempt at a punchy, crowd-pleasing first proper song, we tried to channel Yo La Tengo and the Lemonheads, with hopefully some Real Estate guitar on the chorus. It’s one of only two songs on the EP about anything – distracting yourself from existential boredom by chit-chat and getting drunk. I tried to go full J Mascis with the guitar solo, but perhaps mustered up a slightly virile Norman Blake from Teenage Fanclub.

Track 3: Dear Susan

I really love Orange Juice (Edwyn Collin’s early-’80s fusion of the Byrds, Chic and fey Scottish teenagers with plastic sandals and fringes like Roger McGuinn) and this is intended as a straight-up homage.

The first line (“Evidently my dear Susan”) seemed like the sort of comically overblown thing Edwyn Collins would sing, though I couldn’t quite manage the voice – which Alexis Petridis described as like “a tipsy man launching into an after-dinner speech with his mouth still full of port and walnuts”. The lyrics are an aggressive take-down of religious extremism, which should hopefully sort a few things out.

Track 4: Gallic Way

When I formed the band I basically wanted us to be Pavement, but we could never manage their nonchalant slacker charm. Sounding like you don’t care and still being good is really hard! This is probably as close as we got. I think Neil nailed the drums, which sound like someone very drunk falling down the stairs holding a pint and somehow not spilling a drop.

The lyrics are fairly Malkmus-pastiching, but those are the sort of lyrics I like – a collection of (hopefully) striking images and phrases rather than a coherent narrative. No-one listens to lyrics beyond the first verse and the chorus anyway. The chorus refers to a traumatic haircut I once received where the hairdresser maintained eye-contact with me – in the mirror – throughout, seemingly never once looking at my hair/head, and relying on some sort of echo-location to avoid cutting my ears.

Track 5: Persian Regret

The name for this song is taken from the Jutes range of hard-wearing interior paints. The concept (for the song rather than the paint range), is that you (YOU) have just stepped out of a taxi in down-town Addis Ababa and into a club where this music is playing. Full disclosure: I’ve never been to Addis Ababa or listened to any Ethiopian music. Paul made some throat-noises, as this is what he presumes happens in Addis Ababian nightclubs.

Track 6: Borderline

This starts as a charming tale of love thriving in the tedium of low-level espionage, but quickly resolves into gibberish. Quite an unorthodox pronunciation of “archipelago”, but I’m sure Mick Jagger has done worse. After a straight-up American 90s college-rock first half we tried to seamlessly weld a 70s psych-rock outro onto the back like a backstreet mechanic. I enjoyed trying to play guitar like Neil Young, anyway.

Track 7: Plane

Another contender for most-Pavementy-song (an attempt to channel Here from Slanted and Enchanted), this was the first song we wrote as a band, and the last one we recorded. Despite playing it for over two years, 6 songs into the session I experienced some sort of studio-induced dementia and had to do star-jumps in the car park until I could remember how to play it again. Paul (producer and long-time friend and collaborator) reminds me that this is the second time I’ve used the line “sold up and moved to Tibet” in a song, which could tell you something (I’ll plagiarise anything: including myself).

I’m glad there’s some funny guitar halfway through. For me, the worst thing that’s happened in music in the last 20 years is the dominance of self-obsessed earnestness – in indie music and X-factor pop. When people talk to each other, they constantly use irony and humour, but when they pick up a guitar or a microphone they so often rely on po-faced seriousness. Whatever happened to Chuck Berry singing about his ding-a-ling?

The Jutes are:

Robin Wilkinson: guitars, vocals, songs, arrangements
Neil Williams: drums, arrangements
Adam Rustidge: bass, keys, percussion, production, engineering, mixing
Dan Holloway: bass inspiration, arrangements
Paul Rustidge: production, engineering, mixing, head of logistics
Recorded at Music Box, Cardiff
Mastered by Charlie Francis at Synergy Mastering

Photos courtesy of Lorna Cabble and Peppe Iovino, from the We Are Cardiff Press launch party in November 2015.

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Jenny moved to Cardiff … because of Human Traffic

This week’s up close and personal comes from an old raver who moved to Cardiff in 1999. Her inspiration: Justin Kerrigan’s clubtastic Cardiff-based flick, Human Traffic. Here’s Jenny to tell us more.

I can still remember the first time I saw Human Traffic. Sounds ridiculous, but that film changed my life. I was living in Exeter and I messed up my A level exams, and so ended up with shoddy grades, unable to get into any of my university choices. I only just managed to get into Reading, but I didn’t like Reading at all. Most of my friends were off travelling, and I just didn’t seem to click with anyone there. One night, my flatmates suggested we watch a film before we went out. One of them had this new film, Human Traffic, on video (VHS!!! Imagine). I’d heard vaguely about it but couldn’t afford to go to the cinema back then, so hadn’t seen it.

We watched the film in the communal area (which was basically the kitchen), all wrapped up in blankets, sitting on uncomfortable kitchen chairs, smoking spliffs and drinking beers, totally absorbed in the whirlwind 99 minutes of clubs, drugs, pubs, and parties, all set in this magical narnia called Cardiff. The soundtrack was amazing, the people seemed friendly, the city like a neon playground inviting you from club to house party, back to club.

I realise, obviously, that the film’s not without fault. The dialogue is clunky sometimes, the storyline abjectly ridiculous. But it’s not really about any of that, so none of that matters. It’s about capturing a moment in time. It’s about being a certain age, being part of a scene, when you might never have really belonged anywhere before. And by those standards, it might as well be Citizen Kane. That’s certainly how I felt about it.

Also Danny Dyer. It is most definitely about Danny Dyer.

I was super fed up with Reading, and my friend Pete was at uni in Cardiff, and so during the first term I bought myself a railcard and took the train there to visit. There was some event on at Solus in the student union – maybe Carl Cox, or something? The entire union was covered in camo netting – it was everywhere. By this point, drugs had entered my recreational lexicon. I hid the pills in my bra and we distributed them amongst us when we got in there. Pete’s flatmates came with us too, they were still in that slightly awkward initial freshers phase, where you sort of have to hang out together because you haven’t met your tribe yet, but they were all lovely, if awkward.

I was off my face, ended up snogging this cute blonde that lived in a student flat a few buildings away from them. The music was a mixture of trance and hard house. It was epic, driving music, with enough weird psychedelic sounds to keep your brain tweaking while you danced and stamped away, blissed out.

Pete and his flatmates ended up meeting loads of new friends that night – we all went back to someone else’s flat in Talybont South, where they produced endless amounts of weed and bongs, lungs, shotties. I never really liked weed so opted to just keep drinking booze and smoking fags. We hotboxed ourselves in that tiny living area until it started getting light, when we all stumbled back to Pete’s flat, shading our eyes from the dazzling October skies.

We couldn’t sleep, of course, so after a few hours fitfully rolling around on the floor, Pete decided we needed a fry up and then to go back to the pub. We didn’t bother showering – I think I just about managed to brush my teeth – and back out into the wilds we went, all wearing sunglasses, clutching cans of Oranjeboom, heading up to Cathays to The Warm As Toast Cafe (Twat … RIP!) for ‘breakfast’.

After we’d managed to hold down the food, Pete started getting a second wind. We headed for the nearest pub – can’t remember which one it was now, one on the way into town. It might have been Inncognito, which later became Cardiff Arts Institute. It was late afternoon by this point and they had DJs setting up in there. We alternated between pitchers of beer and pitchers of cocktails, and although it’s almost impossible to get pissed the day after a massive session, the day-after drinking always felt so nice: like a big cushion around your come down. (I would find out years later was actual real come downs were like: when you’ve got an unforgiving 9-5 and you haven’t slept all weekend and by Wednesday you think everyone hates you and wtf does your life mean and literally want to fall into a hole and die).

Feeling slightly more sprightly, we decided to head into town. It was only about 5pm at this point and all the shops were still open, so I got a whistle stop tour of the most important independents: Hobos, for natty threads; Catapult, for all your dance music; and Spillers, for indie, rock, and everything else. I bought a London Elektricity CD from Catapult (I still have it!) and a Spillers t shirt which I wore over my shirt for the rest of that night.

We went for a burger in the Gatekeeper, and Pete bumped into some friends from his course, who were heading into Clwb Ifor Bach, which really was a ‘Welsh club’ back then: we were only allowed in as we went in with some Welsh speakers, and I got given a membership card to sign that promised that I was learning Welsh (something I’ve still not managed to master, despite having lived here for nearly 20 years now – good job they don’t check up on you anymore).

The night gets hazy after that. Endless trips to the damp loos, as Pete got some charlie off someone in the queue. Sneakily smoking spliff on the dancefloor. I can’t even remember what the music was now, maybe some sort of indie night. The crowd was completely different though. Fewer students. More young professionals.

We got to bed around 2am and slept til about 3pm. I woke up already late for my train, and had to get a taxi to the station. I made it with seconds to spare. I got a Burger King when I was back in Reading and slept through all of my Monday lectures.

And that was the first of many such weekends in Cardiff. I was back in Cardiff every weekend during that first term. I bumped into Meic again (the blonde guy I’d snogged that first night), and soon we were an item. Eventually realised there was no point in travelling back and forth all the time. My heart was in Cardiff. Not necessarily with Meic – we split up after a few months – but in the city. Pete moved in with his girlfriend so I took his room and moved in with his flatmates. Turns out we were a tribe all along!

I thought I might apply to Cardiff Uni, but my grades hadn’t been great, and I didn’t really know what I wanted to do – I just knew I was much happier doing anything in Cardiff than I had been in Reading or back in Devon.

I gave up on the idea of uni altogether and started working. Like lots of people, I guess, I was temping, doing all sorts of different things, and then just sort of fell into working in events. I think I got to have the best of both worlds, back then: I hung out with students all the time. I even went to a couple of lectures, just to see if I’d enjoy it. But I didn’t really.

My memories of those days revolve around the nightlife. I made so many good friends on nights out – people I’m still close to now. Friendships forged in sweaty hugs and toilets and on dancefloors across the city. I even ended up meeting some people that had been extras in Human Traffic itself – extras in the house party scenes towards the end. They told me they’d wanted to make it as realistic as possible, so they were all smoking spliffs and drinking beers. TRUTH.

The venues were key. The Emporium, for example – where I spent so many nights – was where part of Human Traffic was filmed. You can even see some of its posters in the background of the scene where Jon Simm tries to blag his way into the club – apparently this scene was shot in the manager’s office.

Then there was Welsh Club. The Toucan. The Hippo. The Model Inn. Club M. Club X. Gretzskys. Metros. Apocalypse or Vision  or whatever it was called by  the end (it then turned into Primark … and is now some other high street chain shop). The Student Union – Solus upstairs, and Seren Las downstairs. The Philharmonic. Evolution and the party bus from town to the bay. Barfly. Sugar. Moloko. The Point. There was some place behind a fancy dress shop on Clifton Street we’d go to for after hours parties. And we used to go to everything: techno, drum & bass, the reggae parties down the Bay. Hard house was more of a push for me but I’d still go.

There were some nights we wouldn’t leave the house until midnight. These days I can’t remember the last time I was even awake at midnight without there being a baby crying or a dog with the runs demanding to be let out of the house. How things change!

Venues open and close. Unless you were around Cardiff at the start of the 2000s, you probably don’t even recognise half those places I’m talking about. The union is all coffee shops now. I read something recently about how students and young people don’t rave or drink or take drugs anymore, and it made me sort of sad, double sad, for them – that they won’t experience all those amazing things – but also myself. I miss those days. I miss being young and carefree and not having kids or a mortgage to worry about and being able to spend all night roaming around the city, smoking rollies with tramps and going back to random houses for parties.

Don’t get me wrong, I wouldn’t change my life now for the world. I just wish I’d revelled in those days, in that time a bit more. Also it was a weird time in terms of the internet – right early days, so it’s not like I can just flick through Facebook albums whenever I feel nostalgic. I barely had a mobile phone at that time, and I certainly didn’t have a digital camera until nearly a decade later.

As for Human Traffic now? I actually haven’t watched the film in ages. It’s a treat that I save up for myself when I’m poorly. I love doing that really boring thing of “I know where that is!” when they’re in some of the outdoor scenes. And I know I’m not the only one that really loves it: because I still see articles about the filming locations or interviews with Justin Kerrigan popping up every so often.

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Jenny Jones is an events manager who dreams fondly of her youth. She currently lives in Fairwater.

Wanna read more?

Peas

Astroid Boys – Broke Album Release, Clwb Ifor Bach

Local outfit Astroid Boys hit a sweet milestone recently, with the release of their Broke album. Photojournalist Aiyush Pachnanda went along to document the night!

In their own words: Rising out of Cardiff’s unlikely CF10 area code, Astroid Boys have cultivated a movement that transcends multiple sub-cultures – a growth that defines them less as a band, and more as voice for the youth.

With a DIY ethos rooted in the punk and hardcore scene, mixed with the raw, narrative approach of grime culture – their sound fuses together multiple perspectives, channeling their aggressions and woes into a platform for creative expression and escapism.

Bringing everything to a climax through their high-energy live shows, the combination of attacking vocals, crushing guitars and Dellux’ signature production never fails to get a crowd bouncing, both cult followers and innocent bystanders alike.

BUY BROKE NOW

LISTEN TO BROKE NOW

www.astroidboys.com

Astroid Boys Facebook

Astroid Boys Twitter

Astroid Boys Instagram

Astroid Boys YouTube

See more of Aiyush’s photography at YO Snaps!

Listen to Ep 23 of Minty’s Guide Gig – where Minty speaks to Benji Wild

And to finish up, Phoenix’s favourite Astroid Boys song: Foreigners

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Green Man’s 15th birthday bash – our highlights video!

Well, it was one to remember! Possibly the strongest line up of any Green Man so far … plus more art, performance, fun times and pints of Growler than any Green Man before!

We’re prepping our We Are Green Man festival goer portraits, but for the time being, hopefully this will tide you over …

Early bird tickets for next year are out soon – make sure you do the thing and follow the lovely Green Man Festival in all the usual places …

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HUB Festival ’17 – August Bank Holiday weekend shenanigans!

So for the time being at least, Womanby Street has escaped the corporate clutches of various property developers and our independent venues are safe … so come celebrate with a weekend of music, art, performance, street food, and LOADS OF BOOZE –  between 25th – 27th August bank holiday weekend, gorge yourself on 200 ACTS // 12 STAGES // 3 DAYS // 1 WRISTBAND! Scroll to the bottom for full MASSIVE line up and venue breakdown.

HUB Festival Facebook event

HUB Festival is one of our favourite Womanby Street takeovers, and this year the line up is MASSIVE, plus street food from Feast Fest – I mean, what else could you ask?

They’ll be squeezing in rock, reggae, folk, blues, funk, hip hop, pop, jazz, disco, metal – as many genres as they can find, with promoters/labels/bands working together to show the rest of the country that Cardiff is absolutely buzzing.

Taking place at:
Clwb Ifor Bach // Fuel Rock Club // The Moon // Castle Emporium // Tiny Rebel // City Arms // Jones Court // Banc Car Park // The Busk Stop // Bootleggers // The Street

PLUS: Comedy, Spoken Word & Poetry, Performance Art, Live Graffiti & Street Dance, Carnival acts, Silent Discos, Feast Fest street food, guest DJs and Busk Stop!

WEEKEND TICKETS: 
Adult £25 adv + bf
Youth £10 adv + bf (ages 12-17)
Children under 12 go free.
Under 18s are allowed in all the venues until 9pm(apart from City Arms 7pm).

1-DAY TICKETS (SATURDAY OR SUNDAY)
Adult £15 adv + bf
Youth £7 adv + bf (ages 12-17)
Children under 12 go free.
Under 18s are allowed in all the venues until 9pm(apart from City Arms 7pm)

Tickets are on sale in Spillers Records Cardiff, Diverse Music Newport, and online from WeGotTickets.com + SeeTickets.com

See you front left by the speakers!

And for full line up by venue ….

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Cardiff Music Awards 2017 – photoblog

In true better late than never style, welcome to our photoblog about this year’s awards! Congrats to all the winners … and by winners, we mean everyone making, breaking and championing the arts in our fine city. You’re ALL winners to us!

The awards were compered by Thomas Evans (Made In Cardiff TV presenter) and held in Tramshed. Big love to local music hero Ed Townend who brain-birthed the awards, putting them on in conjunction with Cardiff PR firm agency River and Bear.

All photos by Stephen Meredith – read on for the list of winners!

  

Cardiff, United Kingdom. 30th March 2017. Johnny Cage and the Voodoo Groove play live during the Cardiff Music Awards hosted at Cardiff’s Tramshed venue © Stephen Meredith

WINNERS!

Best Music Video: Novo Amor & Ed Tullett – Alps (Storm & Shelter)

Best Production: MusicBox Studios

Best Music Publication: Roath Rocks

Best Radio Show: Showcase Wales on GTFM

Best EP/Single: Rebecca Hurn – Lifeline

Best Producer: Gethin Pearson

Best Album: Cakehole Presley – In The Used To Be

Best Local Promoter: Lloyd Griffiths (Gwdihw/Cosmogramma/All My Friends/Juxtaposed)

Best Regional Promoter: Llio Angharad (Dydd Miwsig Cymru/Welsh Language Music Day)

Best Venue: Gwdihw

Best Club NightTwisted By Design

Line Up Of The YearHub Festival

Best Breakthrough ActChroma

Best Live ActThe Moon Birds

Best FestivalFestival Of Voice

Promoter Of The Year: Lloyd Griffiths (Gwdihw/Cosmogramma/All My Friends/Juxtaposed)

Best DJ: Ransom

Best Solo Act: Jack Ellis

Best Group: Astroid Boys

Person Of The Year: Justin Evans (read Justin’s We Are Cardiff piece)

More: Cardiff Music Awards website

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Women of Wales in music: Chloe Jackson-Nott investigates

Photojournalist Chloe Jackson-Nott recently completed a project on women in music in Wales, about the lack of women in the industry and how we can address it. Take it away, Chloe!

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Niamh Doyle and Rebekah Price, presenters on Dragon Radio. All photography by Chloe Jackson-Nott.

My photography mainly focuses on music. There aren’t many female music photographers around, so within my work I wanted to photograph and talk to women in other parts of the music industry: whether that be, in a band, solo artist, radio presenter, photographer or enthusiastic gig-goer.

I found eight young women in different parts of the industry. They all do different things within it, and they agreed to speak to me and allowed me to photograph them.

Firstly, Daniele Lewis is a singer-songwriter from New Quay, West Wales. I stumbled across her at Sŵn Festival when looking through the schedule for female artists. Unfortunately, I didn’t get the chance to speak to her on the day but I did see her perform and she has a lot of friends and family around supporting her. Her performance had a calm vibe to it but at the same time you could see all of her enthusiasm and that she loved being up on stage.

I then spoke to Fenne Lily just before her show at Sŵn Festival in Clwb Ifor Bach who had travelled from Bristol to perform in Cardiff. She has strong views about how to get to where you need to be in the music industry and how you need to fight your way to the top, especially being female.

Before I started to find women to talk to about this, I knew I wanted to speak to Katie Hall from Aberdare as I have worked with and seen her band Chroma play live multiple times. She’s incredible. When she performs, she’s lost in performance – she doesn’t care what other people think about her. She’ll be dancing around the stage, giving enthusiastic facial expressions. You can tell she is very passionate about her music and take advantage of being the lead singer of a band with two other male members. She’s a great role model for young girls who want to make it big one day in music.

I also spoke to Dani Hewitt from Treherbet and Samantha Bull from Aberdare who volunteer with Young Promoters Network where they have worked with many women, including myself, who want to take the next step in music. They realised that all of the girls were coming to them for advice noticing that there were no other female role models for them, so decided to create a community called WOMEN (Women of Music Events Network.)

I then went to the students of all music courses at University of South Wales and found Ellie Strong from Cardiff who aspires to be a successful drummer, which is someone I had yet to come across so jumped at the chance to speak to her. She performs at Café Jazz every Monday to practice her skills and perform to a small crowd. Finally, I was asked to photograph two radio presenters from Dragon Media at University of South Wales who happened to be both female so spoke to them to get a different view as they were not in a band or aspire to be artists.

Women of Wales in music

Samantha Bull, 26, Aberdare, W.O.M.E.N

“There aren’t enough women in the music industry, progress is being made but it is slow. There is so much could be done and must be done to counteract the inequality that we as women face in the industry. From the culture that surrounds us and society it has been ingrained in us from a young age that all girls are in competition with each other. Take that thought and push it out of your brain. We need to come together and start supporting each other and celebrating each other’s achievements.”

Dani Hewitt, 26, Treherbet, W.O.M.E.N Cofounder

“There are a lot of men working in the music industry that I could look up to but not a lot of women that I could identify with and follow in the footsteps of. I volunteer with the Young Promoters Network and a lot of the girls starting coming to me and looking up to me to help them. It became a community where we supported each other with developing skills. As there aren’t a lot of female role models, I decided that I should be one for now for young girls who want to achieve their dreams and goals.”

Samantha Bull, 26, and Dani Hewitt, 26, running a W.O.M.E.N panel (Women of Music Events Network) panel at Swn Festival 2016 to inspire young girls to achieve their dreams in music.
Samantha Bull, 26, and Dani Hewitt, 26, running a W.O.M.E.N panel (Women of Music Events Network) panel at Swn Festival 2016 to inspire young girls to achieve their dreams in music.

 

Fenne Lily, 18, Bristol – Singer

“I think there are enough women in the music industry but not women who are actually doing what they want to do, because it’s quite easy to see a girl with an acoustic guitar and tell her she’s can be the next ‘Taylor Swift.’ I think it should cater to women more instead of having men setting up their career and choosing for them. I’ve been brought up by a lot of music as I was attending festivals at a young age so I knew this is definitely what I wanted to do with my life and have decided to build a career out of it. If it’s something you want to do, don’t let society’s opinions stop you.”

Fenny Lily performing downstairs in Clwb Ifor Bach on Saturday 22nd October.
Fenne Lily performing downstairs in Clwb Ifor Bach on Saturday 22nd October.

 

Danielle Lewis, 21, West Wales – Singer

“In the 10 years I have been performing live from school, my local scene at home, playing in Australia to moving to the city in Cardiff, I have seen a lack of women in music in all areas of the industry from playing to sound engineers and producing. It still seems to be a very male orientated business and as a female artist myself I have felt looked down at numerous times. I recently recorded my latest CD with a female producer for the first time and she herself agrees on the shortage. I do think we are becoming more aware of this and I look forward to a new wave of more females in the industry.”

Singer Danielle Lewis, 21, from New Quay, West Wales, performing on the Horizons stage at O'Neils on Saturday 22nd October.
Singer Danielle Lewis, 21, from New Quay, West Wales, performing on the Horizons stage at O’Neils on Saturday 22nd October.

 

Singer Danielle Lewis, performing on the Horizons stage at O'Neils on Saturday 22nd October.
Singer Danielle Lewis, performing on the Horizons stage at O’Neils on Saturday 22nd October.

 

Katie Hall, 21, Aberdare – Singer

“There are definitely not enough girls in the music industry. It shouldn’t be the defining feature of you band that a girl is the front woman. There are so many talented and inspiring musicians that are girls. I think the way to inspire more girls to work in the music industry is to shatter that glass ceiling that’s oppressing women everywhere. The way we do that is challenging promoters attitudes towards women in bands so they give them more gigs. We need to inspire girls from a young age to get involved or pick up an instrument, and support the women who are currently involved in music to reach their full potential as artist.”

Lead singer of Chroma, Katie Hall, performing in Undertone, Cardiff on Sunday 23rd October.
Lead singer of Chroma, Katie Hall, performing in Undertone, Cardiff on Sunday 23rd October.

 

Lead singer of Chroma, Katie Hall, performing in Undertone, Cardiff on Sunday 23rd October.
Lead singer of Chroma, Katie Hall, performing in Undertone, Cardiff on Sunday 23rd October.

 

Ellie Strong, 20, Cardiff – Drummer

“I think there’s a common misconception that there aren’t a lot of women, but there are plenty of women in music; just not enough making grungy rock and shredding guitar! But then there are some gems like jazz and rock drummer Cindy Blackman, currently killing it in the band Santana.. I think what the current women in the industry need to realise is that ‘music’ isn’t a term to be taken lightly; it’s not always about image, which seems to be the case nowadays. So my advice to singers is that they should listen to Jill Scott’s raw vocals instead of whatever is in the charts, and to instrumentalists – keep doing your thing. Prove that we can do it just as well as the boys.”

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Niamh Doyle, 20, Cardiff, Radio Presenter

“I believe that there are a few women who are extremely big at the moment, but that’s only a fortunate few. The advice I would give is to keep up their YouTube platforms, as this is a platform where anyone; gender, age, or race is welcome and as it is such a large platform, it is accessible to everyone around the world. We are also at a time in our lives where society is beginning to change the status levels between men and women; women are beginning to become more noticed and taken seriously. My final advice to women would be to never give up and to just keep their end goal in mind.”

Niamh Doyle, 20, student at USW and radio presenter at Dragon Media
Niamh Doyle, 20, student at USW and radio presenter at Dragon Media

 

 

Rebekah Price, 22, Cwmbran, Radio Presenter

“Music is an incredibly important thing in my life. I’ve always loved talking about it, listening to it, as well as making it. But I will admit that there has been times where I have stood back and questioned whether realistically, as a woman, I would be able to move forward in the industry. Negative thinking I know, but this was partly because I’d recently become aware of the gender divide within music festivals. When we look at festivals in particular, which essentially provide a platform for a large collection of artists and musicians, we can see that typically there is only a small percentage of female acts being seen.”

Rebekah (CORR) Price, 22, student at USW and radio presenter at Dragon Media.
Rebekah (CORR) Price, 22, student at USW and radio presenter at Dragon Media.

 

 

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