Tag Archives: reviews

RISING BEAT: DJ WILSON NOIR IS TAKING THE SOUTH WALES DANCE MUSIC SCENE BY STORM


Catch Wilson Noir at Castle Arcade on 16 and 17th October 1-3.30pm

CARDIFF, WALES — You can hear the history in the beat, but the energy is brand new. Wilson Noir isn’t just an emerging talent; he’s the direct, dynamic inheritor of South Wales club culture, and he’s lighting up dancefloors across the region.

Blending family legacy with a fresh underground edge, Wilson Noir is bringing new energy to the South Wales DJ scene — bridging the golden era of Catapult Records with the forward-thinking sounds that define his dancefloors today. Emerging from the heart of South Wales’ vibrant underground, Wilson Noir is fast becoming one of the region’s most exciting new DJ talents. Known for his playful, crowd-focused sets, Noir delivers a distinctive blend of vintage rhythms and modern electronic production, bridging old-school UK dance culture with today’s underground energy. Noir’s sound is the definition of New Old Cool — it’s a signature style that’s quickly making him one of the most talked-about names in the scene.

DEEP ROOTS IN THE UNDERGROUND

The store’s infamous in-store sessions became the stuff of local legend, hosting acts like Bonobo, Netsky, LTJ Bukem, Blame, Vibes, Nic Fanciulli, Drop Music, and High Contrast — who famously worked there and was discovered by Hospital Records in the basement. Known for its expert curation, Catapult helped shape the identity of Welsh club culture and nurtured countless local talents. Though its doors closed in 2014, its influence still echoes through South Wales’ dancefloors — celebrated in reunion events, online communities, and in the next generation of DJs like Wilson Noir, who carries forward that same DIY ethos, crate-digger curiosity, and commitment to keeping the dancefloor alive.

FULL CIRCLE: ARCADE RESIDENCY

Building on this legacy, this October, Wilson Noir returns to Catapult’s very first home in the Castle Arcade with a two-day residency for the City of Arcades Project, as part of the Cardiff Music City Festival. The festival — a two-week celebration of Cardiff’s thriving music scene — fills venues, clubs, and hidden corners with gigs, talks, installations, and pop-up performances. Designed to champion both international names and emerging local talent, it blends performance, education, and innovation to strengthen Cardiff’s live music ecosystem.

In collaboration, the City of Arcades Project shines a spotlight on the city’s Victorian and Edwardian arcades — once shopping streets, now cultural landmarks filled with independent shops, cafés, and creative spaces.

For Wilson Noir, performing within the Castle Arcade, where Catapult Records first took root, is a full-circle moment — a chance to bring his signature sound to the very heart of Cardiff’s musical heritage. The residency aligns perfectly with the festival’s spirit: connecting past and present, heritage and innovation, while celebrating the enduring energy that continues to drive South Wales’ electronic music scene.

Wilson Noir said:

“Growing up around Catapult Records, I could feel how music brought people together. Every set I play is about capturing that energy and creating something new on the dancefloor. To play in the Castle Arcade—where it all began—is surreal.”

Ruth Cayford, Head of Creative Industries and Culture Development at Cardiff Council, added:

“Wilson Noir embodies the spirit of Cardiff’s evolving music scene. His deep-rooted connection to the city’s musical heritage, combined with his innovative approach, makes him a perfect fit for this year’s festival. We’re thrilled to see the next generation, supported by groups like Sound Progression, taking the lead.”

SUPPORTING THE SCENE

Noir’s journey is championed by Valé, the popular South Wales streetwear label, a partnership that underscores the connection between local music, fashion, and creative culture. As a member of Sound Progression, Cardiff’s youth music development organisation supported by the Ed Sheeran Foundation, Noir is an integral part of the next generation — shaping Cardiff’s electronic music scene with bold creativity and unstoppable energy.

Catch Wilson Noir at Castle Arcade on 16 and 17th October 1-3.30pm
For more information about Cardiff Music City Festival, go to cardiffmusiccity.wales

Live review: The Stylistics, New Theatre, Cardiff, 12 November 2024

The Stylistics brought their timeless soulful charm to the New Theatre on 12 November as part of their Greatest Hits Tour. The iconic Philly Soul group – who have been through a number of line-up changes during their 56 years of performing – delivered a glorious evening of greatest hits and plenty of nostalgia.

It was evident from the average age of the crowd that I was a couple of decades too young to be a real Stylistics fan (almost everyone else there that I spotted who were under the age of 50 seemed to be accompanying parents or grandparents). And it’s true – I only discovered Philly Soul at all during an extended virtual YouTube crate dig during lockdown. The lush string arrangements and comforting harmonies were a real balm for me during lockdown (which already feels like a lifetime ago). While I might not have been harking back to discos in the 1970s, seeing the Stylistics live was still a bit of a nostalgic experience for me.

Before we get to the band, I want to mention the support act – an “El-Tom John project” fronted by Tom Cridland. Tom apparently learned to play the piano during lockdown, specifically to play Elton John songs and tour them around the world. He’s also the presenter of The Greatest Music of All Time podcast (and fashion designer with his own sustainable fashion label?). He’s unfathomably tall and wearing a suit covered in sparkly stars, and warms the crowd playing a series of early Elton classics on a keyboard.

My 70 year old mother (who is my date for this outing) comments, rather unkindly, I think, “don’t give up the day job”. But she’s lucky enough to have enjoyed Elton as a performer throughout her whole life (I really only got him from the second outing of Candle in the Wind onwards). I still don’t like Candle in the Wind, but I do listen to Tiny Dancer on repeat for the whole of the next day.

Then it’s time for the main event. Advertised as a Greatest Hits Tour, the group doesn’t disappoint, with a show packed full of “old school disco bangers”, as the lady from Ebbw Vale sat behind me calls them. 

Formed of two members of the original line up (Airrion Love and Herb Murrell) and two “newer” members (Bo Henderson and Jason Sharp), the group shoops, boops, and sways gently through 85 minutes of classics. Their choreographed dance moves are impeccably timed (although having been performing as a band for 56 years, you’d hope they’d have got the timings down for these). They bring the house down with You Are Everything, along with other classics I’m Stone In Love With You and Can’t Give You Anything (But My Love) (which was a hit single in the UK back in 1975). 

My personal favourite is Betcha by Golly Wow, which follows a little preamble with the band talking about how long they’ve been performing and touring, and how old they are now (and how, with the help of “that little blue pill”, everything still works – just not the way it did when they were 50. There are screams and whoops of laughter and delight that ring around the venue, as you might imagine).

Even with the two original members performing at the ripe age of 75, the band are still oozing charisma and charm (and can we talk about the vocals? It’s like having double cream poured into your ears). I’m guessing the dance moves are probably a little less enthusiastic than they were 40 years ago, but they’re still delivered with style. By the end of the show, pretty much the entire crowd is on their feet, clicking their fingers, clapping, swaying, and singing along. It’s a feel-good show that proves The Stylistics are still one of the greatest soul groups of all time. For soul fans of all ages, if you get the chance to catch them on tour, I recommend it.